Florence Hallett

Bio

Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Dalí Theatre-Museum, Figueres, virtual tour review - tantalising but unsatisfactory Saturday, 30 May 2020 Read more...	Visual Arts Lockdown Special 3: gigapixel Rembrandt, magic mushrooms, and more Tuesday, 19 May 2020 Read more...
Unto the Last: Two Hundred Years of John Ruskin, Watts Gallery–Artists' Village, review - a breath of fresh air Wednesday, 13 May 2020 Read more...	XXI presented by ARTCELS, HOFA Gallery review - art as investment Friday, 08 May 2020 Read more...
Painting the Modern Garden: Monet to Matisse, Royal Academy, Exhibition on Screen/Facebook Premiere - a hardy perennial returns Tuesday, 28 April 2020 Read more...	Van Eyck: An Optical Revolution, Museum of Fine Arts, Ghent online review - capturing the unrepeatable Thursday, 23 April 2020 Read more...
Visual Arts Lockdown Special 1: DIY art, Russell Tovey's chat show, and guided tours online Tuesday, 21 April 2020 Read more...	Rebuilding Notre-Dame: Inside the Great Cathedral Rescue, BBC Four review - a race against time Thursday, 16 April 2020 Read more...
David Hockney: Drawing from Life, National Portrait Gallery review - an anatomy of love Friday, 28 February 2020 Read more...	Francesca Wade: Square Haunting - Bloomsbury retold Thursday, 06 February 2020 Read more...
Picasso and Paper, Royal Academy review - the most versatile of materials Thursday, 30 January 2020 Read more...	Best of 2019: Visual Arts Tuesday, 31 December 2019 Read more...
Caravaggio & Bernini, Kunsthistorisches Museum, Vienna - high emotion in 17th century Rome Saturday, 14 December 2019 Read more...	Bridget Riley, Hayward Gallery review - the thrill of seeing Friday, 25 October 2019 Read more...
Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time? Friday, 11 October 2019 Read more...	Gauguin Portraits, National Gallery review - me, myself and I Tuesday, 08 October 2019 Read more...

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A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...

Soulwax’s 'All Systems Are Lying' lays down some t...

It’s seven years since the Belgian brothers Dewaele unleashed their fine, largely instrumental and foot-stomping Essential album on the...

Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's
People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...
If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...