wed 06/08/2025
Home > users

Tom Birchenough

Tom Birchenough's picture

Articles By Tom Birchenough

'We are bowled over!' Thank you for your messages of love and support

Friday, 14 November 2025 Read more...

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

Monday, 19 August 2024 Read more...

The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

Saturday, 20 July 2024 Read more...

Crossing review - a richly human journey of discovery

Saturday, 20 July 2024 Read more...

Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

Thursday, 23 May 2024 Read more...

Something in the Air, Jermyn Street Theatre review - evocative London mood music

Tuesday, 25 October 2022 Read more...

Meeting Gorbachev review - Werner Herzog offers a swansong tribute

Wednesday, 31 August 2022 Read more...

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

Monday, 27 June 2022 Read more...

Jitney, Old Vic review - a directorial delight

Saturday, 18 June 2022 Read more...

Lava, Soho Theatre review - silences, secrets and lies

Friday, 22 April 2022 Read more...

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

Monday, 11 April 2022 Read more...

The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

Wednesday, 06 April 2022 Read more...

Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

Tuesday, 21 December 2021 Read more...

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Monday, 06 December 2021 Read more...

A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

Thursday, 18 November 2021 Read more...

'Night, Mother, Hampstead Theatre review - despair in sotto-voce

Tuesday, 02 November 2021 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...