sun 15/09/2024

Tom Birchenough

Tom Birchenough's picture

Articles By Tom Birchenough

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

Read more...

Crossing review - a richly human journey of discovery

Read more...

The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

Read more...

Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

Read more...

Something in the Air, Jermyn Street Theatre review - evocative London mood music

Read more...

Meeting Gorbachev review - Werner Herzog offers a swansong tribute

Read more...

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

Read more...

Jitney, Old Vic review - a directorial delight

Read more...

Lava, Soho Theatre review - silences, secrets and lies

Read more...

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

Read more...

The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

Read more...

Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

Read more...

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Read more...

A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

Read more...

'Night, Mother, Hampstead Theatre review - despair in sotto-voce

Read more...

The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production

Read more...

Pages

latest in today

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice - but is that the person or the...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...