Film Reviews
Collective review - waging war on corruptionWednesday, 02 December 2020
It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of corrumpere, “to mar, bribe, destroy” – was first associated with putrefaction. Read more... |
Uncle Frank review - well-acted but painfully contrivedSaturday, 28 November 2020
A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past. Read more... |
Another Round review - delight and despairFriday, 27 November 2020
You can practically smell the fumes coming off Thomas Vinterberg’s latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood alcohol level that is 0.05 percent too low. Read more... |
Possessor review - death by virtual realityThursday, 26 November 2020
Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature. Read more... |
Hillbilly Elegy review - misery in the heartlandWednesday, 25 November 2020
Published in June 2016, J.D. Read more... |
Leap of Faith review – Alexandre O. Philippe examines ‘The Exorcist’Friday, 20 November 2020
“Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind the camera but in front of it, spiritedly discussing the genesis of his horror masterpiece with Philippe. Read more... |
No Hard Feelings review - tough-minded yet tenderSaturday, 14 November 2020
Love triangles rarely feel more truthful or more tender than in No Hard Feelings, a beautiful film that announces debut director Faraz Shariat as a filmmaker worth reckoning with. Read more... |
Billie review – new documentary captures the rebelFriday, 13 November 2020
Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. Read more... |
Words on Bathroom Walls review - well-meaning but glibSaturday, 07 November 2020
Adam (Charlie Plummer) is being tested for glaucoma at the start of Words on Bathroom Walls, the director Thor Freudenthal's adaptation of Julia Walton's 2017 Young Adult novel. Read more... |
The Three Kings review – saluting Busby, Shankly and SteinSaturday, 07 November 2020
If Shakespeare had lived in post-war Britain, he surely would have dramatised the careers of the three towering contemporaneous Scottish football managers whose visions of how football should be played and its importance to ordinary people left a greater impact on the nation’s selfhood than any 20th century political... Read more... |
Queen of Hearts review - Trine Dyrholm stars as a stylish sexual predatorFriday, 06 November 2020
“Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Read more... |
Luxor review - Andrea Riseborough stars in cathartic drama about healing old woundsWednesday, 04 November 2020
Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Read more... |
Relic review – a deadly disappearing actSaturday, 31 October 2020
The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor. Read more... |
The Witches review – new take lacks magicFriday, 30 October 2020
A long shadow looms over Robert Zemeckis’ new take on Roald Dahl’s classic 1980s book The Witches, starring Octavia Spencer, Anne Hathaway and newcomer Jahzir Bruno. Read more... |
Mogul Mowgli review - displacement and generational traumaThursday, 29 October 2020
When Mogul Mowgli was first announced, it was fair to expect something of a realist biopic. After all, you had documentary director Bassam Tariq and actor/musician extraordinaire Riz Ahmed helming a film about a British-Pakistani rapper. Read more... |
Shirley review - hothouse art film about American horror writerThursday, 29 October 2020
Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...
E.1027 - Eileen Gray and the House by the Sea review - dull...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...