thu 25/04/2024

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Snowflake, Kiln Theatre review - strong but clumsy generational war

Read more...

A Kind of People, Royal Court review - multiculturalism falls apart

Read more...

Cyrano de Bergerac, Playhouse Theatre review - James McAvoy triumphant

Read more...

Midnight Movie, Royal Court review - sleepless and digital

Read more...

The Arrival, Bush Theatre review - boys will definitely be boys

Read more...

Touching the Void, Duke of York's Theatre review - not quite high enough

Read more...

Sydney & the Old Girl, Park Theatre review - black comedy too melodramatic

Read more...

On Bear Ridge, Royal Court review - Rhys Ifans's tragicomic masterclass

Read more...

Botticelli in the Fire, Hampstead Theatre review - history mash-up burns bright

Read more...

[Blank], Donmar Warehouse review - strong but dispiriting

Read more...

A History of Water in the Middle East, Royal Court review - feminist dreams and passions

Read more...

Baby Reindeer, Bush Theatre review - break, break, breaking Gadd

Read more...

A Day in the Death of Joe Egg, Trafalgar Studios review - tragi-comic masterpiece

Read more...

Glass. Kill. Bluebeard. Imp., Royal Court review - still experimental after all these years

Read more...

Two Ladies, Bridge Theatre review - Cvitešić and Wanamaker really rock

Read more...

The King of Hell’s Palace, Hampstead Theatre review - Chinese scandal freezes the blood

Read more...

Pages

latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...