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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

All of It/Hope Has a Happy Meal, Royal Court review - surreal pleasures

Monday, 12 June 2023 Read more...

Dixon and Daughters, National Theatre review - cold discomfort harm

Thursday, 27 April 2023 Read more...

Sea Creatures, Hampstead Theatre review - mysterious and allusive

Friday, 07 April 2023 Read more...

A Little Life, Harold Pinter Theatre review - unrelenting trauma

Thursday, 06 April 2023 Read more...

Black Superhero, Royal Court review - ambitious, but messy

Saturday, 25 March 2023 Read more...

The Way Old Friends Do, Park Theatre review - sweet, but flimsy

Monday, 20 March 2023 Read more...

Further Than the Furthest Thing, Young Vic review - small island longings

Saturday, 18 March 2023 Read more...

Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtual

Thursday, 02 March 2023 Read more...

Trouble in Butetown, Donmar Warehouse review - entertaining and warmhearted

Wednesday, 22 February 2023 Read more...

Graceland, Royal Court review - quiet desolation is too literary

Thursday, 16 February 2023 Read more...

Phaedra, National Theatre review - stunning acting in stunning show

Monday, 13 February 2023 Read more...

Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

Wednesday, 08 February 2023 Read more...

Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

Thursday, 02 February 2023 Read more...

Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

Wednesday, 01 February 2023 Read more...

Sound of the Underground, Royal Court review - loud and triumphantly proud

Monday, 30 January 2023 Read more...

Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

Thursday, 15 December 2022 Read more...

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Bach’s B minor Mass, Irish Baroque Orchestra, Whelan, Christ...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...

Kaploukhii, Greenwich Chamber Orchestra, Cutts, St James’s P...

To St James’s Piccadilly to hear the young pianist Misha Kaploukhii give an impressive performance of Beethoven’s Fourth Piano Concerto,...

Music Reissues Weekly: Hawkwind - Hall of the Mountain Grill

Issued in September 1974, Hall of the Mountain Grill was Hawkwind’s fifth LP. The follow-up to 1973’s live double album...

The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

Classical CDs: Wolf-pelts, clowns and social realism

 

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'Everybody Scream': Florence + The Machine's...

If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...