mon 17/02/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

A Tupperware of Ashes, National Theatre review - family and food, love and loss

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Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

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The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

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The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

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G, Royal Court review - everyday realism blitzed by urban myth

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Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of Islamophobia

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The Marilyn Conspiracy, Park Theatre review - intriguing murder mystery

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My Father's Fable, Bush Theatre review - hilarious and haunting family drama

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The Bounds, Royal Court review - soccer play scores badly

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Lie Low, Royal Court review - short sharp sliver of pain

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The Harmony Test, Hampstead Theatre review - pregnancy and parenthood

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Bluets, Royal Court review - more grey than ultramarine

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Between Riverside and Crazy, Hampstead Theatre review - race, religion and rough justice

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London Tide, National Theatre review - haunting moody river blues

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The Comeuppance, Almeida Theatre review - remembering high-school high jinks

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Out of Season, Hampstead Theatre review - banter as bullying

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...