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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

A Good House, Royal Court review - provocative, but imperfect

Monday, 20 January 2025 Read more...

The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging

Tuesday, 17 December 2024 Read more...

The Legends of Them, Royal Court review - reaching out for serenity

Friday, 13 December 2024 Read more...

Expendable, Royal Court review - intensely felt family drama

Friday, 29 November 2024 Read more...

A Christmas Carol, Old Vic review - tidings of discomfort and noise

Friday, 22 November 2024 Read more...

Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting

Saturday, 16 November 2024 Read more...

L’Addition, BAC review - top billing for physical comedy duo

Friday, 08 November 2024 Read more...

The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

Friday, 01 November 2024 Read more...

Reykjavik, Hampstead Theatre review - drama frozen by waves of detail

Monday, 28 October 2024 Read more...

A Raisin in the Sun, Lyric Hammersmith review - of race and men

Sunday, 13 October 2024 Read more...

Brace Brace, Royal Court review - too slender to satisfy

Thursday, 10 October 2024 Read more...

Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

Monday, 07 October 2024 Read more...

A Tupperware of Ashes, National Theatre review - family and food, love and loss

Friday, 04 October 2024 Read more...

Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

Tuesday, 24 September 2024 Read more...

The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

Thursday, 19 September 2024 Read more...

The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

Saturday, 14 September 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning

Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...

Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Classical CDs: Bells, birdsong and braggadocio

 

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Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....