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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Little Brother, Soho Theatre review - light, bright but emotionally true

Friday, 24 October 2025 Read more...

Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful

Thursday, 16 October 2025 Read more...

The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest

Thursday, 02 October 2025 Read more...

Entertaining Mr Sloane, Young Vic review - funny, flawed but welcome nonetheless

Friday, 26 September 2025 Read more...

Romans: A Novel, Almeida Theatre review - a uniquely extraordinary work

Friday, 19 September 2025 Read more...

Cow | Deer, Royal Court review - paradox-rich account of non-human life

Thursday, 11 September 2025 Read more...

Deaf Republic, Royal Court review - beautiful images, shame about the words

Saturday, 06 September 2025 Read more...

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy

Thursday, 04 September 2025 Read more...

Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roost

Thursday, 28 August 2025 Read more...

Inter Alia, National Theatre review - dazzling performance, questionable writing

Monday, 28 July 2025 Read more...

The Estate, National Theatre review - hugely entertaining, but also unconvincing

Sunday, 20 July 2025 Read more...

Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought production

Wednesday, 09 July 2025 Read more...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Friday, 20 June 2025 Read more...

Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weeding

Sunday, 08 June 2025 Read more...

Personal Values, Hampstead Theatre review - deep grief that's too brief

Thursday, 24 April 2025 Read more...

All the Happy Things, Soho Theatre review - deep feelings, but little drama

Wednesday, 16 April 2025 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...

Emma Doran, Leicester Square Theatre review - domestic life...

The Irish diaspora in London were out in force for Emma Doran’s appearance at Leicester Square Theatre. Her online work and her...

Lily Allen's 'West End Girl' offers a bloody,...

Even in our garish online age, most celebrities and...

The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...