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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest

Thursday, 02 October 2025 Read more...

Entertaining Mr Sloane, Young Vic review - funny, flawed but welcome nonetheless

Friday, 26 September 2025 Read more...

Romans: A Novel, Almeida Theatre review - a uniquely extraordinary work

Friday, 19 September 2025 Read more...

Cow | Deer, Royal Court review - paradox-rich account of non-human life

Thursday, 11 September 2025 Read more...

Deaf Republic, Royal Court review - beautiful images, shame about the words

Saturday, 06 September 2025 Read more...

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy

Thursday, 04 September 2025 Read more...

Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roost

Thursday, 28 August 2025 Read more...

Inter Alia, National Theatre review - dazzling performance, questionable writing

Monday, 28 July 2025 Read more...

The Estate, National Theatre review - hugely entertaining, but also unconvincing

Sunday, 20 July 2025 Read more...

Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought production

Wednesday, 09 July 2025 Read more...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Friday, 20 June 2025 Read more...

Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weeding

Sunday, 08 June 2025 Read more...

Personal Values, Hampstead Theatre review - deep grief that's too brief

Thursday, 24 April 2025 Read more...

All the Happy Things, Soho Theatre review - deep feelings, but little drama

Wednesday, 16 April 2025 Read more...

Manhunt, Royal Court review - terrifyingly toxic masculinity

Monday, 14 April 2025 Read more...

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Saturday, 05 April 2025 Read more...

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'We are bowled over!' Thank you for your messages... ...
Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio Da Kali, Milton Court review - Mali masters make the an...

Trio Da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs...

Hollie Cook's 'Shy Girl' isn't heavyweig...

Hollie Cook was in the final line-up of post-punk groundbreakers The...

theartsdesk Q&A: musician Warren Ellis recalls how jungl...

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects...

A House of Dynamite review - the final countdown

Armageddon is here again, as Kathryn Bigelow’s...