thu 28/03/2024

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Croft, Original Theatre online review – give me the remote

Read more...

Sondheim at 90 Songs: 4 - 'America'

Read more...

Bubble, Theatre Uncut online review - educational, but unexceptional

Read more...

Blithe Spirit, Duke of York's Theatre review - Jennifer Saunders in serious comedy

Read more...

Shoe Lady, Royal Court review - Katherine Parkinson is a footsore Beckettian

Read more...

The Special Relationship, Soho Theatre review - informative, but uninspiring

Read more...

Pass Over, Kiln Theatre review - fierce critique of racist brutality

Read more...

The High Table, Bush Theatre review - party on in Lagos and London

Read more...

Far Away, Donmar Warehouse review - one for the devotees

Read more...

Death of England, National Theatre review - furious but fabulous

Read more...

The Sugar Syndrome, Orange Tree Theatre review - pushing empathy to the limit

Read more...

The Welkin, National Theatre review - women's labour is a pain

Read more...

Scenes with Girls, Royal Court review - feminist separatism 2.0

Read more...

Les Misérables, Sondheim Theatre review - join in our crusade

Read more...

Snowflake, Kiln Theatre review - strong but clumsy generational war

Read more...

A Kind of People, Royal Court review - multiculturalism falls apart

Read more...

Pages

latest in today

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...