mon 17/02/2025

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Rockets and Blue Lights, National Theatre review - strong, but inconclusive

Read more...

Changing Destiny, Young Vic review – an epic literary discovery

Read more...

Oleanna, Arts Theatre review - Mamet on power and tragedy

Read more...

Out West, Lyric Hammersmith review – not quite a hat trick

Read more...

Walden, Harold Pinter Theatre review – where’s the emotion?

Read more...

Harm, Bush Theatre review – isolation, infatuation and intensity

Read more...

Tarantula, Southwark Playhouse online review – spine-tingling love and trauma

Read more...

Angela, Sound Stage online review - tender and time-shifting

Read more...

The Picture of Dorian Gray, Barn Theatre online review - a dazzling adaptation

Read more...

The Band Plays On, Sheffield Theatres online review – to Sheffield with love

Read more...

Typical, Soho Theatre online review - powerfully poetic and painful

Read more...

Shook, Papatango online review - strongly acted, but depressingly predictable

Read more...

Overflow, Bush Theatre review – fear, fury and fun

Read more...

A Christmas Carol, Bridge Theatre review - deluxe seasonal storytelling

Read more...

What a Carve Up!, Barn Theatre online review – ingenious whodunnit

Read more...

Little Wars, Union Theatre online review - richly emotional, but formulaic

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...