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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Overflow, Bush Theatre review – fear, fury and fun

Saturday, 12 December 2020 Read more...

A Christmas Carol, Bridge Theatre review - deluxe seasonal storytelling

Wednesday, 09 December 2020 Read more...

What a Carve Up!, Barn Theatre online review – ingenious whodunnit

Monday, 30 November 2020 Read more...

Little Wars, Union Theatre online review - richly emotional, but formulaic

Tuesday, 03 November 2020 Read more...

Quarter Life Crisis, Bridge Theatre review – slender and superficial

Monday, 12 October 2020 Read more...

An Evening with an Immigrant, Bridge Theatre review – poetic and engaging

Friday, 25 September 2020 Read more...

Blindness, Donmar Warehouse review - a beautifully haunting parable

Monday, 10 August 2020 Read more...

Scrounger, Finborough Theatre online review – autobiography meets meta-theatre

Tuesday, 04 August 2020 Read more...

My White Best Friend (And Other Letters Left Unsaid), Royal Court review – raw but generous

Wednesday, 22 July 2020 Read more...

Les Blancs, National Theatre at Home review – triumphant revival of forgotten classic

Friday, 03 July 2020 Read more...

Reasons To Be Cheerful, Graeae review - raunchy working-class nostalgia

Wednesday, 10 June 2020 Read more...

A Streetcar Named Desire, National Theatre at Home review - world on fire

Friday, 22 May 2020 Read more...

Midnight Your Time, Donmar Warehouse online review – intimate and quietly moving

Thursday, 14 May 2020 Read more...

Frankenstein, National Theatre at Home review – creature discomforts

Saturday, 02 May 2020 Read more...

#aiww: The Arrest of Ai Weiwei, Hampstead Theatre online review – imbued with an urgent new relevance

Tuesday, 28 April 2020 Read more...

Wise Children, BBC online review – beautifully bizarre

Tuesday, 14 April 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
Romans: A Novel, Almeida Theatre review – a uniquely extraor...

OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...

Robert Redford (1936-2025)

Somehow both rugged and smooth, embodying American values yet often turning up his collar against them, Robert Redford – who died on 16 September...

Brìghde Chaimbeul, Round Chapel review - enchantment in East...

Hackney’s Round Chapel is an appropriate venue. Scottish...

First Person: Musician ALA.NI on how thoughts of empire and...

I’ve never thought of myself as a political artist. I write...

Robert Redford: remembering All the President’s Men

In the summer of 2005, Robert Redford, who died this week, attended the Karlovy Vary Film Festival in the Czech Republic, to collect a life...

The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...