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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Glass. Kill. Bluebeard. Imp., Royal Court review - still experimental after all these years

Friday, 27 September 2019 Read more...

Two Ladies, Bridge Theatre review - Cvitešić and Wanamaker really rock

Thursday, 26 September 2019 Read more...

The King of Hell’s Palace, Hampstead Theatre review - Chinese scandal freezes the blood

Friday, 13 September 2019 Read more...

Chiaroscuro, Bush Theatre review - music, sweet, sweet music

Saturday, 07 September 2019 Read more...

Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experience

Friday, 06 September 2019 Read more...

Hansard, National Theatre review - starry argument ends poorly

Wednesday, 04 September 2019 Read more...

The Doctor, Almeida Theatre review - Robert Icke's long goodbye

Wednesday, 21 August 2019 Read more...

Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

Thursday, 08 August 2019 Read more...

The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

Wednesday, 17 July 2019 Read more...

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Tuesday, 09 July 2019 Read more...

Rust, Bush Theatre review - slender yet invigorating

Tuesday, 02 July 2019 Read more...

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

Friday, 28 June 2019 Read more...

The Hunt, Almeida Theatre review - tense Scandinoirland drama

Thursday, 27 June 2019 Read more...

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

Thursday, 20 June 2019 Read more...

Citysong, Soho Theatre review - big writing, big heart

Wednesday, 19 June 2019 Read more...

Wife, Kiln Theatre review - queer epic is joyful and intense

Wednesday, 05 June 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Hamlet, National Theatre review - turning tragedy to comedy...

The National’s latest production of ...

France, LPO, Gardner, RFH review - the sound of other worlds

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...

Christopher Wheeldon has mined a new seam of narrative pieces for the...

Lee Miller, Tate Britain review - an extraordinary career th...

Tate Britain’s Lee Miller retrospective begins with...

Rohtko, Barbican review - postmodern meditation on fake and...

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually...

Lee, Park Theatre review - Lee Krasner looks back on her lif...

Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys...

Ariodante, Opéra Garnier, Paris review - a blast of Baroque...

The revival of Robert Carsen’s production of Handel’s Ariodante at the...

Classical CDs: Voice flutes, flugelhorns and froth

 

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Odd times and clunking lines in 'The Life of a Showgirl...

It’s funny: people say a lot online that what you’re allowed to like and dislike in music is bounded by age, gender and so forth. “It’s not FOR...