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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Pack of Lies, Menier Chocolate Factory review - suburban spy story

Wednesday, 03 October 2018 Read more...

Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

Wednesday, 26 September 2018 Read more...

An Adventure, Bush Theatre review - epic but flawed

Saturday, 15 September 2018 Read more...

The Woods, Royal Court review - Lesley Sharp triumphs again

Thursday, 13 September 2018 Read more...

Holy Shit, Kiln Theatre review - what's in a name?

Tuesday, 11 September 2018 Read more...

Aristocrats, Donmar Warehouse review - fresh but uneven

Friday, 10 August 2018 Read more...

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

Wednesday, 08 August 2018 Read more...

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest

Friday, 20 July 2018 Read more...

Alkaline, Park Theatre review - faith, friendship and failure

Saturday, 14 July 2018 Read more...

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic

Thursday, 05 July 2018 Read more...

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess

Friday, 29 June 2018 Read more...

One for Sorrow, Royal Court review - imploding family drama

Thursday, 28 June 2018 Read more...

Monogamy, Park Theatre review - Janie Dee in dark family drama

Tuesday, 12 June 2018 Read more...

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful

Wednesday, 06 June 2018 Read more...

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content

Saturday, 02 June 2018 Read more...

Nightfall, Bridge Theatre, review - moving but over-exposed

Wednesday, 09 May 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Entertaining Mr Sloane, Young Vic review – funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work — such as Loot (1965) and What the Butler Saw (1969) — was...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

The Harder They Come, Stratford East review - still packs a...

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film,...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...