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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Gators, Tramp Productions online review - the glittering dark

Thursday, 09 April 2020 Read more...

It’s True, It’s True, It’s True, Breach Theatre online review – a riveting watch

Tuesday, 07 April 2020 Read more...

One Man, Two Guvnors, National Theatre at Home review – bliss, utter comic bliss

Saturday, 04 April 2020 Read more...

The Croft, Original Theatre online review – give me the remote

Tuesday, 31 March 2020 Read more...

Sondheim at 90 Songs: 4 - 'America'

Thursday, 26 March 2020 Read more...

Bubble, Theatre Uncut online review - educational, but unexceptional

Tuesday, 24 March 2020 Read more...

Blithe Spirit, Duke of York's Theatre review - Jennifer Saunders in serious comedy

Wednesday, 11 March 2020 Read more...

Shoe Lady, Royal Court review - Katherine Parkinson is a footsore Beckettian

Tuesday, 10 March 2020 Read more...

The Special Relationship, Soho Theatre review - informative, but uninspiring

Wednesday, 04 March 2020 Read more...

Pass Over, Kiln Theatre review - fierce critique of racist brutality

Thursday, 20 February 2020 Read more...

The High Table, Bush Theatre review - party on in Lagos and London

Saturday, 15 February 2020 Read more...

Far Away, Donmar Warehouse review - one for the devotees

Thursday, 13 February 2020 Read more...

Death of England, National Theatre review - furious but fabulous

Friday, 07 February 2020 Read more...

The Sugar Syndrome, Orange Tree Theatre review - pushing empathy to the limit

Wednesday, 29 January 2020 Read more...

The Welkin, National Theatre review - women's labour is a pain

Thursday, 23 January 2020 Read more...

Scenes with Girls, Royal Court review - feminist separatism 2.0

Wednesday, 22 January 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner reveealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Classical CDs: Shrouds, silhouettes and superstition

 

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Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...