thu 18/04/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

What a Carve Up!, Barn Theatre online review – ingenious whodunnit

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Little Wars, Union Theatre online review - richly emotional, but formulaic

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Quarter Life Crisis, Bridge Theatre review – slender and superficial

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An Evening with an Immigrant, Bridge Theatre review – poetic and engaging

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Blindness, Donmar Warehouse review - a beautifully haunting parable

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Scrounger, Finborough Theatre online review – autobiography meets meta-theatre

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My White Best Friend (And Other Letters Left Unsaid), Royal Court review – raw but generous

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Les Blancs, National Theatre at Home review – triumphant revival of forgotten classic

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Reasons To Be Cheerful, Graeae review - raunchy working-class nostalgia

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A Streetcar Named Desire, National Theatre at Home review - world on fire

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Midnight Your Time, Donmar Warehouse online review – intimate and quietly moving

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Frankenstein, National Theatre at Home review – creature discomforts

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#aiww: The Arrest of Ai Weiwei, Hampstead Theatre online review – imbued with an urgent new relevance

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Wise Children, BBC online review – beautifully bizarre

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Gators, Tramp Productions online review - the glittering dark

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It’s True, It’s True, It’s True, Breach Theatre online review – a riveting watch

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latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...