mon 17/03/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Human Voice, Harold Pinter Theatre review – acting masterclass

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Cock, Ambassadors Theatre review – brutal, bruising and brilliant

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Ghosts of the Titanic, Park Theatre review – well written, but poorly staged

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Shedding a Skin, Soho Theatre review - feel the love

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Red Pitch, Bush Theatre review - effortlessly and energetically entertaining

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Queens of Sheba, Soho Theatre review – energy, entertainment and rage

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Purple Snowflakes and Titty Wanks, Royal Court review – fearless, frank and feminist

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The Glow, Royal Court review – bizarre, beautiful and breathtaking

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The 4th Country, Park Theatre review – sympathetic and intriguing

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Trouble in Mind, National Theatre review - race, rage and relevance

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Manor, National Theatre review – ambitious, but unconvincing

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Death of England: Face to Face, National Theatre at Home review - anti-racist trilogy ends with a bang

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Rare Earth Mettle, Royal Court review - one long unsatisfying slog

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Sessions, Soho Theatre review – intense, but inconclusive

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Old Bridge, Bush Theatre review - powerful, poetic and profound

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A Place for We, Park Theatre review - perceptive, but rather flabby

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Uproar, Rafferty, Royal Welsh College, Cardiff review - colo...

There’s a lot to be said for the planning that clearly went into this concert by the Cardiff-based new music ensemble, Uproar....

Attacca Quartet, Kings Place review - bridging the centuries...

Memorably described by Gramophone magazine as the “new kids on the classical block…with lavish pocket money”, Apple’s London-based label...

Music Reissues Weekly: Norma Tanega - I Don't Think It...

After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma...

Manchester Collective, RNCM review - exploring new territory

Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed...

Henry Gee: The Decline and Fall of the Human Empire - Why Ou...

Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK...

All Happy Families review - unhappy in their own way

Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence...

Album: The Loft - Everything Changes, Everything Stays The S...

“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of...

Black Bag review - lies, spies and unpleasant surprises

Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...

Weather Girl, Soho Theatre review - the apocalypse as surrea...

Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...