tue 11/02/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Cowbois, Royal Court review - fabulously queer extravaganza

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Don't Destroy Me, Arcola Theatre review - a theatre history curio

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Rock 'N' Roll, Hampstead Theatre review - exciting music, uneven staging

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Talking About the Fire, Royal Court review - urgent and informative

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A Sherlock Carol, Marylebone Theatre review - merry, but mirthless

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Feeling Afraid As If Something Terrible Is Going To Happen, Bush Theatre review - charismatic stand-up routine

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Mates in Chelsea, Royal Court review – silly rather than satirical

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To Have and To Hold, Hampstead Theatre review - funny but flawed

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The Interview, Park Theatre review - Martin Bashir's comeuppance

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Boy Parts, Soho Theatre review - not subversive enough

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Blue Mist, Royal Court review - authentic, but not entirely convincing

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Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive

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Octopolis, Hampstead Theatre review - blue, blue, electric blue

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Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

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That Face, Orange Tree Theatre review - in-yer-face family drama

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A Mirror, Almeida Theatre review - unconvincing and contrived

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Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...

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Philip Marsden: Under a Metal Sky review - rock and awe

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....

Blu-ray: High and Low

Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...

The Years, Harold Pinter Theatre review - a bravura, joyous...

Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...

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“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.

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Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...

It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...

Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...