thu 28/11/2024

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Kerry Jackson, National Theatre review - new writing nadir

Read more...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

Read more...

The Sex Party, Menier Chocolate Factory review - disappointing detumescence

Read more...

Super High Resolution, Soho Theatre review - the NHS at breaking point

Read more...

Mary, Hampstead Theatre review - compelling study of power politics

Read more...

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

Read more...

Marvellous, @sohoplace review - silly, singular and sentimental

Read more...

Ravenscourt, Hampstead Theatre review - strong, but slender

Read more...

Jews. In Their Own Words, Royal Court review - calling out ancient prejudice

Read more...

The P Word, Bush Theatre review - persecution and pride

Read more...

Silence, Donmar Warehouse review - documenting disaster

Read more...

The Trials, Donmar Warehouse review - chillingly compelling

Read more...

All of Us, National Theatre review - revelatory, but problematic

Read more...

Chasing Hares, Young Vic review - militant mix of politics and fantasy

Read more...

The Fellowship, Hampstead Theatre review - strong clashes, too little drama

Read more...

Bangers, Soho Theatre review - sizzling gig theatre

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Landman, Paramount+ review - once upon a time in the West

Is there only one Taylor Sheridan? His output is so prolific you’d think there must be half a dozen of them. Although little acknowledged in the...

The Dead, ANU, Landmark Productions, MoLI Dublin review - vi...

James Joyce’s Misses Morkan have gone up in the world for their Christmas gathering this year, from the upper part of a “dark, gaunt house” on the...

All We Imagine as Light review - tender portrait of three wo...

Documentary maker Payal Kapadia scored this year’s Cannes Grand Prix with her debut feature film, All We Imagine as Light, ...

Album: Hibernacula - Three Cane Whale

Since their eponymous 2011 debut, Three Cane Whale have kept it small without losing scale. A trio of Spiro’s Alex Vann, Get The Blessing’s Pete...

Jeff Young: Wild Twin review - a box of tricks

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative...

Album: The Innocence Mission - Midwinter Swimmers

A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map...

Witches review - beyond the broomstick, the cat, and the po...

From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical ...

EFG London Jazz Festival round-up review - youth, age, and t...

Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in...

First Person: singer-songwriter Sam Amidon on working in Din...

Walking in the morning from my Airbnb along the road in West Kerry...