thu 28/03/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Shedding a Skin, Soho Theatre review - feel the love

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Red Pitch, Bush Theatre review - effortlessly and energetically entertaining

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Queens of Sheba, Soho Theatre review – energy, entertainment and rage

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Purple Snowflakes and Titty Wanks, Royal Court review – fearless, frank and feminist

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The Glow, Royal Court review – bizarre, beautiful and breathtaking

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The 4th Country, Park Theatre review – sympathetic and intriguing

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Trouble in Mind, National Theatre review - race, rage and relevance

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Manor, National Theatre review – ambitious, but unconvincing

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Death of England: Face to Face, National Theatre at Home review - anti-racist trilogy ends with a bang

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Rare Earth Mettle, Royal Court review - one long unsatisfying slog

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Sessions, Soho Theatre review – intense, but inconclusive

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Old Bridge, Bush Theatre review - powerful, poetic and profound

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A Place for We, Park Theatre review - perceptive, but rather flabby

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Macbeth, Almeida Theatre review – vivid, but much too long

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The Normal Heart, National Theatre review - Ben Daniels triumphant

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Is God Is, Royal Court review – blister, flare and burn, baby, burn

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latest in today

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...