Film Reviews
The Hitman's Bodyguard - potty-mouthed, turgid waste of talentsThursday, 17 August 2017
No cliché is left unturned in this odd-couple action comedy. Ryan Reynolds and Samuel L Jackson are the salt ‘n’ pepper rival bad-boys on the run. Cue shoot outs and high-speed vehicle chases through assorted European cities, interspersed with routine bouts of mutually insulting dialogue before bromance blossoms. Come back, Eddie Murphy/Nick Nolte, Chris Rock/Anthony Hopkins, Will Smith/Tommy Lee Jones, Mel Gibson/Danny Glover, all is forgiven. Ryan Reynolds plays Michael Bryce, a... Read more... |
Quest review - intimate documentary about a north Philly communityTuesday, 15 August 2017
Christopher Rainey, aka "Quest" – his hip-hop name – lives with his wife Christine’a and their young daughter PJ in north Philadelphia. Read more... |
Final Portrait review - utterly convincing portrayal of an artist at workMonday, 14 August 2017
I hate biopics about artists in which the portrayal of “genius” is hyped to the point where it becomes a ludicrous cliché. Although I appreciate that, as far as entertainment goes, seeing pigment brushed onto canvas is on a par with watching paint dry, I still can’t forgive directors who resort to dramatic extremes in the hope of evoking the tribulations of the creative process. Read more... |
A Ghost Story review - spellbinding vision of life, death and timeFriday, 11 August 2017
A Ghost Story must be the first film with a sheet – a very expressive one – in the leading role. Beneath it is C (Casey Affleck), with two holes for eyes. It’s funny at first, but the Halloween cliché is rapidly transcended. C, a musician, haunts the faded ranch house in Texas where he lived with his wife M (Rooney Mara) before his death in a car crash nearby. Read more... |
Tom of Finland review - engaging biopic of gay pioneerFriday, 11 August 2017
Finnish director Dome Karukoski has made a sympathetic and quietly stylish biopic of Touko Laaksonen, the artist who did as much as anyone to define 20th century male gay visual culture. There’s a degree of irony in the fact that we know him by his national pseudonym – he started signing his work “Tom” for anonymity,... Read more... |
Citizen Jane review - portrait of a New York toughieThursday, 10 August 2017
When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets. Read more... |
Atomic Blonde review - ferocious female action franchiseWednesday, 09 August 2017
Bowie’s “Cat People (Putting Out Fire)” plays as Charlize Theron’s Lorraine Broughton makes her entrance. She’s the last Cold War super-spy, a female Bond sent to Berlin as the Wall crumbles. “Killer Queen”, prominent on early trailers, would have done just as well. Read more... |
Maudie review - intriguing and irritating in turnFriday, 04 August 2017
The little-known Canadian folk artist Maud Lewis is the Maudie of the title of Aisling Walsh's grim-faced biopic, which feels frustratingly incomplete where it really counts. Read more... |
Valerian and the City of a Thousand Planets review - Rihanna on pole can't save tiring space operaThursday, 03 August 2017
Valerian and the City of a Thousand Planets starts promisingly: there’s Bowie’s Space Oddity on the soundtrack (a bit clichéd but evocative) and a sly montage of personnel handovers at an international space station over the decades. Read more... |
The Ghoul review - quietly unhinged British horrorWednesday, 02 August 2017
The Ghoul is an occult British thriller about depression, with a bleakly poetic view of London, and a seedy sadness at its core. This sensibility is greatly helped by its star Tom Meeten, who as police detective Chris is haggard and run-down, ready to flinch at the world. Read more... |
Williams review - much more than a film about motor racingWednesday, 02 August 2017
The sobriquet “the greatest living Englishman” has been applied to such diverse individuals as Keith Richards, Winston Churchill and Alan Bennett, but the bookies would surely offer reasonable odds on Sir Frank Williams. Having founded his current motor racing team in 1977, Williams has provided rapid transit for an array of world champions, Nigel Mansell and Damon Hill among them. Read more... |
The Wall review - action undercut by too much talkFriday, 28 July 2017
Movies which essentially consist of a central character trapped in a difficult predicament can be great (Tom Hardy in Locke), or more likely not so great (Colin Farrell in Phone Booth or Ryan Reynolds in Buried). Read more... |
The Big Sick review - enchanting romcom about mixed marriagesWednesday, 26 July 2017
The Big Sick is an enchanting film from the Judd Apatow comedy production line. Don’t be put off by the terrible title. There are two forms of sickness on display in the story of Kumail Nanjiani, a Pakistani American who plays himself in his own autobiographical romantic comedy. Read more... |
Victim review - timely re-release for attack on homophobiaSunday, 23 July 2017
Victim was released in 1961. Six years would pass before the passing of the Sexual Offences Act cautiously exempted from prosecution men over 20 who had consensual sex in private. Read more... |
Dunkirk review - old-fashioned filmmaking on the grandest scaleThursday, 20 July 2017
What is the Dunkirk spirit? It has been so thoroughly internalised by the national psyche that, 77 years on, it’s as much a brand, a meme or a slogan as the product of a historical fact: that at the start of World War Two 330,000 soldiers of the British Expeditionary Force, cornered on a French beach, strafed and bombed by the Luftwaffe, were ferried to safety by a plucky flotilla of pleasure... Read more... |
David Lynch: The Art Life review - authentic and revealingMonday, 17 July 2017
"You drink coffee, you smoke cigarettes, and you paint. And that’s it." So goes David Lynch’s memorable description of what he calls "the art life" in Jon Nguyen’s frank and engaging documentary. It’s a life that Lynch imagined himself living as a student and a young man – surrounded by the detritus of a disorderly studio, working all hours at his latest visual creation. Read more... |
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