Film Reviews
Alien: Covenant review - we've seen most of this beforeThursday, 11 May 2017
When Ridley Scott returned to his hideous intergalactic monster with Prometheus five years ago, he brought with him a new panoramic vision encompassing infinite space, several millennia of time and the entire history of human existence. With Alien: Covenant, he makes a more modest proposal. Read more...
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Mindhorn review - Eighties detective spoof is a hootFriday, 05 May 2017
To appreciate the full engaging silliness of Mindhorn, it helps to have been born no later than 1980. Those of the requisite vintage will have encountered the lame primetime pap it both salutes and satirises. Everyone else coming to this spoof will just have to take it on trust that things, admittedly not all of them British, were indeed this bad back in the day. The eponymous detective of the... Read more... |
Guardians of the Galaxy Vol 2 review - complacent, tedious, cynicalFriday, 28 April 2017
The original Guardians of the Galaxy from 2014 had a freshness to its humour and introduced audiences to a set of novel characters; unfortunately, the sequel is overstuffed with ageing movie stars trying to get a slice of the action. There’s always a camp knowingness about Marvel scripts, it's one of the studio's charms, but here the overt cynicism begins to drag with lines like "We’re really going to be able to jack up our price if we’re two-times galaxy saviours". Foul-... Read more... |
The Promise review - genocide reduced to melodramaFriday, 28 April 2017
The Armenian genocide by the Ottomans during and after World War One killed 1.5 million people and is a wound that won’t heal for Armenians, though modern-day Turkey continues to insist that no genocide occurred. Read more... |
Lady Macbeth review - memorably nastyThursday, 27 April 2017
The Scottish play’s traces are faint in this bloody, steamy tale of feminist psychosis. Read more... |
Heal the Living review - 'lots of emotion, not enough life'Thursday, 27 April 2017
Three teenage boys meet at dawn. One of them, blonde and beautiful Simon (Gabin Verdet), jumps out of his girlfriend’s window and rides his bike through the dark Lyon streets to meet the others in their van. They drive almost silently to the beach, put on wetsuits and catch waves. A grey sea, a grey sky: we can hardly see where foam ends and cloud begins. It’s mesmerising, wordless, and the camerawork is superb, as is Alexandre Desplat’s score. Read more... |
Unforgettable review - forgettable filmFriday, 21 April 2017
Within seconds – literally seconds – of Unforgettable it becomes apparent that this is the kind of film that in the late Eighties and Nineties used to be referred to as “straight to video”, a label that covered a plethora of trashy, sexist, by-the-numbers psycho and erotic thrillers that beat a hasty route to Blockbuster. Read more... |
Clash review - 'a nation in crisis'Wednesday, 19 April 2017
An Egyptian/French co-production directed by Egyptian film-maker Mohamed Diab, Clash is a fevered, chaotic attempt to portray some of the tangled undercurrents that fuelled Egypt’s “Arab Spring” and its subsequent unravelling. Read more... |
Their Finest review - undone by feeble female characterisationTuesday, 18 April 2017
Yet another excuse to snuggle down with some cosy wartime nostalgia, Their Finest is purportedly a tribute to women’s undervalued role in the British film industry. Unfortunately it comes over more blah than Blitz. Read more... |
The Handmaiden review - opulently luridFriday, 14 April 2017
Park Chan-wook is a Korean decadent and moralist who’d have plenty to say to Aubrey Beardsley. Read more... |
The Sense of an Ending review – an enigmatic journey through the pastThursday, 13 April 2017
Julian Barnes’s 2011 novel The Sense of an Ending teased the brains of many a reader with its split time frame and ambiguous conclusion. It was the sort of thing that the interiorised world of fiction can do surpassingly well, and Barnes had handled it skilfully enough to carry off the Man Booker Prize. Read more... |
The Hatton Garden Job review - extraordinarily dullTuesday, 11 April 2017
There have been plenty of films glamourising diamond geezers who live on the wrong side of the law. Some of them don’t even star Danny Dyer. In the history of British film, rhyming slang plus dodgy morals equals box office. Perhaps there is even a special source of European funding ring-fenced for low-budget films about cockney gangsters. The true story of the old lags who pulled off the biggest... Read more... |
Aftermath, review - 'Schwarzenegger acts!'Saturday, 08 April 2017
Arnie acts! Like “Garbo laughs,” there are some things you learn never to expect, and a credible, committed Arnold Schwarzenegger playing a grief-stricken construction worker is high among them. His role as a melancholy father dealing with his daughter’s impending transformation into a murderous zombie in Maggie (2015) was the first indication of a new direction. Read more... |
I Am Not Your Negro, review - 'powerful portrait of James Baldwin'Saturday, 08 April 2017
The Oscar-nominated documentary I Am Not Your Negro is a chronicle of the pioneering writer and Civil Rights activist James Baldwin. Its director Raoul Peck mirrors the intellectual challenge that Baldwin set his audience: the film demands that you pay close attention and listen to a complex argument backed up visually with diverse social and cultural references. Read more... |
A Quiet Passion, review - 'Cynthia Nixon is an indrawn Emily Dickinson'Friday, 07 April 2017
Is there something about the recessive life of Emily Dickinson that defies dramatisation? I'm beginning to think so after A Quiet Passion. The Terence Davies film may attempt a more authentic take on the unrelievedly bleak, and also great, 19th-century American poet than the stage vehicle about her, The Belle of... Read more... |
Neruda, review - 'poetry and politics'Friday, 07 April 2017
Chilean director Pablo Larrain has described Neruda as a “false biopic”, and it’s a film that surprises on many levels in its presentation of Pablo Neruda, the great poet who is his country’s best-known cultural figure. It captivates for the scope of its invention, its ludic combination of reality and artifice, poetry... Read more... |
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