Film Reviews
Goodbye Christopher Robin review - no escape for a boy and his bearFriday, 29 September 2017
“Isn’t it funny/How a bear likes honey?/Buzz! Buzz! Buzz!/I wonder why he does.” Those immortal words, said by the bear of very little brain in chapter one of Winnie-the-Pooh, don’t sound quite the same after watching a shell-shocked AA Milne (Domhnall Gleeson) react to bees buzzing when out for walk in the Hundred Acre Wood with his son (Will Tilston, making his debut, pictured below... Read more... |
Home Again review - Reese Witherspoon romcom is divorced from realityFriday, 29 September 2017
A charming assemblage of performers are left pretty much high and dry by Home Again, an LA-based romcom so determinedly glossy that each frame seems more squeaky-clean and unreal than the next. Intended as a star vehicle for Reese Witherspoon, this debut effort from filmmaker Hallie Meyers-... Read more... |
Zoology review - the tale of a tailTuesday, 26 September 2017
Russia has its own rich traditions of satire and the grotesque, but at first glance we may wonder whether in his new film Zoology Ivan I Tverdovsky, a director who, still to turn 30, certainly belongs to the new generation of that country’s filmmakers, has borrowed a leaf from another master of such forms, Franz Kafka. Not unlike the change experienced by Josef K in the Czech writer’... Read more... |
On Body and Soul review - terrible beauty, and beastsSaturday, 23 September 2017
Hungarian director Ildiko Enyedi’s On Body and Soul (Testrol es lelekrol) opens on a scene of cold. It’s beautiful, a winter forest landscape, deserted except for two deer: a huge stag and a small doe react to one another in the snow, a tentative interaction of eyes and noses, nothing more. There’s a tenderness to what we see, the vulnerability of the female set against the power of the... Read more... |
Borg/McEnroe review - Wimbledon face-off is entertaining if incompleteThursday, 21 September 2017
A spate of tennis-themed films gets off to a vivid if incomplete start with Borg/McEnroe, which recreates the run-up to the Wimbledon Men's Final in 1980 with often-thrilling clarity and (as much as is possible for those who will of course recall the outcome) suspense. Read more... |
Kingsman: The Golden Circle review - too much of everythingWednesday, 20 September 2017
Take one off-the-wall spoof spy thriller that becomes an unexpected hit. Add a bunch of gratuitous guest stars (mostly American). Stretch formula to 140 minutes. Stand clear and wait for the box office stampede. Read more... |
mother! review - Darren Aronofsky dares, frustrates and boresFriday, 15 September 2017
Breathing through an oxygen mask with a busted diaphragm and rib after shooting a single scene in mother!, Jennifer Lawrence had rarely suffered more for her art. Nor have we. Read more... |
Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky scriptFriday, 15 September 2017
The charm quickly palls in Victoria and Abdul, a watery sequel of sorts to Mrs Brown that salvages what lustre it can from its octogenarian star, the indefatigable Judi Dench. Illuminating a little-known friendship between Queen Victoria in her waning years and the Indian servant, Abdul Karim (Ali... Read more... |
Insyriated review - claustrophobic terror in a Damascus war zoneFriday, 08 September 2017
It doesn’t take long, I think, to work out the associations of the title of Insyriated: we are surely being presented with a variation of “incarceration”, one tinged by the very specific context of the conflict that has ravaged Syria for six years now. But there’s a certain ambiguity at the centre of Belgian... Read more... |
IT review - killer clown is kids' stuffThursday, 07 September 2017
Stephen King’s IT attempted ultimate terror, cutting far deeper than a killer clown. Read more... |
God's Own Country review - a raw, rural masterpieceFriday, 01 September 2017
There are many outstanding things in writer-director Francis Lee’s remarkable first feature, and prime among them is the sense that nature herself has a distinct presence in the story. It brings home how rarely we see life on the land depicted in British cinema with any credibility. God's Own... Read more... |
Una review - 'Blackbird' adaptation loses its stage intensityFriday, 01 September 2017
Add Una to the ever-lengthening list of mediocre films adapted from fine plays. In London and New York, David Harrower’s Blackbird was an entirely harrowing two-hander: a symbiotic portrait of the damage wrought by desire that also happened to function as a first-class vehicle for actors as disparate as... Read more... |
The Limehouse Golem review - horrible history with a twistWednesday, 30 August 2017
How many more throats must be slit in 19th-century London before the river of blood starts to clot? The Limehouse Golem follows the gory footprints of Sweeney Todd and various riffs on the Ripper legend. Based on Peter Ackroyd’s 1994 novel Dan Leno and the Limehouse Golem, this belated ... Read more... |
Patti Cake$ review - endearing tale of a big girl with big dreamsTuesday, 29 August 2017
Hearing that a music video director has just made their first feature film generally strikes fear into my heart. But in this instance, Geremy Jasper has done a pretty good job, directing a warm and quirky drama about a young woman from a working-class, chaotic family who dreams of being a famous rapper. Patti Cake$ is an archetypal indie film, the kind that are... Read more... |
Moon Dogs review - gritty, refreshing and very funnyMonday, 28 August 2017
It’s a road movie, a rites-of-passage drama, a romantic comedy (even a teen sex romp at times), by turns whimsical, brooding and downright dark. Moon Dogs seems pulled in so many directions at once that it’s a wonder the film holds together at all. But hold together it does, and it does far more than that. Read more... |
Hotel Salvation review - a moving meditation on the endFriday, 25 August 2017
There’s a rare combination of the sacred and the secular in Shubhashish Bhutiani’s debut feature Hotel Salvation (Mukti Bhawan). The young Indian director developed the film through a Venice festival production support programme awarded on the strength of his short film Kush, a prize-... Read more... |
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