Film Reviews
Scott and Sid review - self-absorbed vanity projectTuesday, 06 March 2018
There’s a Big Reveal that comes right at the end of this new indie movie from first-time writer/producer/directors Scott Elliott and Sid Sadowskyj (whose names, in retrospect, should have given the game away right from the start). For (complete spoiler alert!) this is Elliott and... Read more...
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Bombshell: The Hedy Lamarr Story review - Hollywood's brainiest beautyMonday, 05 March 2018
Hedy Lamarr really ought to be the poster girl for the Time's Up movement. “Any girl can look glamorous," she once said. "All she has to do is stand still and look stupid.” She was the model for Catwoman and Disney's Snow White. It's less well known that she patented an invention which led to the creation of Bluetooth and Wi-Fi. If she were alive now, she might be sitting on a £30 billion dollar fortune. Read more... |
A Fantastic Woman review - from Chile with heatSaturday, 03 March 2018
The woman of the title is not the first person we meet on screen; we meet her lover, a 57-year-old silver fox Orlando (Francisco Reyes). He’s getting a massage in a sauna and then returning to his office where he owns a printing company. We meet him again later. He’s looking for someone, a beautiful merengue singer performing in a fancy hotel. Marina (Daniela Vega, pictured below with Reyes) sings "Your love is yesterday’s newspaper" and they lock eyes. Marina has been... Read more... |
Red Sparrow review - from Russia with lustFriday, 02 March 2018
As it turns out, the slashed-to-the-hip Versace dress with which Jennifer Lawrence provoked controversy (synthetic or otherwise) on a freezing London rooftop was an accurate barometer of what to expect from Red Sparrow. Read more... |
DVD: BoyFriday, 02 March 2018
Following his irreverent superhero reboot Thor: Ragnarok, one of 2017’s most distinctive blockbusters, and his quirky Kiwi indie comedy Hunt for the Wilderpeople in 2016, it’s fair to say that interest in New Zealand director Taika Waititi’s back catalogue is high. Hence,... Read more... |
Game Night review - Rachel McAdams is bliss in bonkers comedy thrillerThursday, 01 March 2018
Fake news takes on new meaning in the largely gonzo Game Night, which leaves spectators wondering moment-to-moment whether what they are watching is reality or part of a continually unfolding game. Telling of a gathering of six whose game night doesn't quite, um, go according to plan, this co-directing effort between John Francis Daley and Jonathan Goldstein throws numerous genres into the celluloid megamix and blends them to the max. Read more... |
The Light of the Moon, Amazon Prime review - coping with the unthinkableWednesday, 28 February 2018
This account of the aftermath of a sexual assault is handled with a clear-headed restraint and attention to detail that’s refreshing in the feverish post-Weinstein climate. Read more... |
Mom and Dad review - daft and dark zombie thrillerWednesday, 28 February 2018
As Mom and Dad opens, after a comically shocking preface, the Ryan family are presented as a typical all-American middle-class family – albeit one that, strangely enough, can afford a daily maid who cooks their breakfast. Read more... |
Dark River review - haunted rural realismFriday, 23 February 2018
Country darkness falls quickly when Alice (Ruth Wilson) goes back to the farm. She stops before entering to gratefully absorb the Yorkshire countryside’s sunny beauty. Read more... |
DVD/Blu-ray: The PartyFriday, 23 February 2018
Take one of the strongest casts in British cinema and put them in a confined space; it was always going to be fun. Sally Potter’s The Party sets its sights on the duplicitous liberal elite, where venality hides behind paper... Read more... |
I, Tonya review - Margot Robbie shines in over-complicated oddityThursday, 22 February 2018
Tonya Harding and the kneecapping of Nancy Kerrigan – what a story it was, back in 1994. Read more... |
Lady Bird review - Greta Gerwig's luminous coming-of-age movieFriday, 16 February 2018
Greta Gerwig, in her hugely acclaimed, semi-autobiographical directing debut (a Golden Globe for best director, five Academy Award nominations) opens Lady Bird with a Joan Didion quote: “Anyone who talks about California hedonism has never spent a Christmas in Sacramento.” Read more... |
Black Panther review - more meh than marvellousFriday, 16 February 2018
Black Panther arrives with all the critics displaying superhero-sized goodwill for its very existence. It’s a big budget mainstream Marvel movie that not only features a nearly all-black cast, but it also has an African-American writer director (Ryan Coogler) and co-screenwriter (Joe Robert Cole). Read more... |
The Shape of Water review - love in a Cold War climateWednesday, 14 February 2018
Guillermo del Toro has laid down markers as a wizard of the fantastical with such previous works as Pan’s Labyrinth and Crimson Peak (though we’ll skate nimbly around Pacific Rim), and now he has brought it all back home with The Shape of Water, as its 13 Academy Award... Read more... |
Loveless review - from Russia, without loveFriday, 09 February 2018
After the anger, the emptiness… Russian director Andrey Zvyagintsev’s Loveless is his fifth film, and harks back to the world of complicated, somehow unelucidated family relationships that characterised his debut, The Return, the work that brought Zvyagintsev immediate acclaim back in 2003. His previous film, the tempestuous Leviathan from four years ago, was... Read more... |
The Mercy review - Colin Firth's leaking vesselThursday, 08 February 2018
Fakery is promised in the opening image of The Mercy. A smiling beauty water-skis over sunny seas, only for the camera to pull away and reveal she is part of a maritime expo in a vast exhibition hall. One of the other exhibitors is an inventor called Donald Crowhurst (Colin Firth), who enlists his beaming sons to demonstrate his Navicator, a simple tool to guide sailors on the high seas.... Read more... |
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