Film Reviews
Tom of Finland review - engaging biopic of gay pioneerFriday, 11 August 2017
Finnish director Dome Karukoski has made a sympathetic and quietly stylish biopic of Touko Laaksonen, the artist who did as much as anyone to define 20th century male gay visual culture. There’s a degree of irony in the fact that we know him by his national pseudonym – he started signing his work “Tom” for anonymity,... Read more... |
Citizen Jane review - portrait of a New York toughieThursday, 10 August 2017
When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets. Read more... |
Atomic Blonde review - ferocious female action franchiseWednesday, 09 August 2017
Bowie’s “Cat People (Putting Out Fire)” plays as Charlize Theron’s Lorraine Broughton makes her entrance. She’s the last Cold War super-spy, a female Bond sent to Berlin as the Wall crumbles. “Killer Queen”, prominent on early trailers, would have done just as well. Read more... |
Maudie review - intriguing and irritating in turnFriday, 04 August 2017
The little-known Canadian folk artist Maud Lewis is the Maudie of the title of Aisling Walsh's grim-faced biopic, which feels frustratingly incomplete where it really counts. Read more... |
Valerian and the City of a Thousand Planets review - Rihanna on pole can't save tiring space operaThursday, 03 August 2017
Valerian and the City of a Thousand Planets starts promisingly: there’s Bowie’s Space Oddity on the soundtrack (a bit clichéd but evocative) and a sly montage of personnel handovers at an international space station over the decades. Read more... |
The Ghoul review - quietly unhinged British horrorWednesday, 02 August 2017
The Ghoul is an occult British thriller about depression, with a bleakly poetic view of London, and a seedy sadness at its core. This sensibility is greatly helped by its star Tom Meeten, who as police detective Chris is haggard and run-down, ready to flinch at the world. Read more... |
Williams review - much more than a film about motor racingWednesday, 02 August 2017
The sobriquet “the greatest living Englishman” has been applied to such diverse individuals as Keith Richards, Winston Churchill and Alan Bennett, but the bookies would surely offer reasonable odds on Sir Frank Williams. Having founded his current motor racing team in 1977, Williams has provided rapid transit for an array of world champions, Nigel Mansell and Damon Hill among them. Read more... |
The Wall review - action undercut by too much talkFriday, 28 July 2017
Movies which essentially consist of a central character trapped in a difficult predicament can be great (Tom Hardy in Locke), or more likely not so great (Colin Farrell in Phone Booth or Ryan Reynolds in Buried). Read more... |
The Big Sick review - enchanting romcom about mixed marriagesWednesday, 26 July 2017
The Big Sick is an enchanting film from the Judd Apatow comedy production line. Don’t be put off by the terrible title. There are two forms of sickness on display in the story of Kumail Nanjiani, a Pakistani American who plays himself in his own autobiographical romantic comedy. Read more... |
Victim review - timely re-release for attack on homophobiaSunday, 23 July 2017
Victim was released in 1961. Six years would pass before the passing of the Sexual Offences Act cautiously exempted from prosecution men over 20 who had consensual sex in private. Read more... |
Dunkirk review - old-fashioned filmmaking on the grandest scaleThursday, 20 July 2017
What is the Dunkirk spirit? It has been so thoroughly internalised by the national psyche that, 77 years on, it’s as much a brand, a meme or a slogan as the product of a historical fact: that at the start of World War Two 330,000 soldiers of the British Expeditionary Force, cornered on a French beach, strafed and bombed by the Luftwaffe, were ferried to safety by a plucky flotilla of pleasure... Read more... |
David Lynch: The Art Life review - authentic and revealingMonday, 17 July 2017
"You drink coffee, you smoke cigarettes, and you paint. And that’s it." So goes David Lynch’s memorable description of what he calls "the art life" in Jon Nguyen’s frank and engaging documentary. It’s a life that Lynch imagined himself living as a student and a young man – surrounded by the detritus of a disorderly studio, working all hours at his latest visual creation. Read more... |
The Beguiled review - silly but seriously well-madeFriday, 14 July 2017
An isolated girls' school finds its hermetic routine shattered by the arrival of Colin Farrell, who wreaks sexual and emotional havoc as only this actor can. Read more... |
War for the Planet of the Apes review – long on budget, short on ideasTuesday, 11 July 2017
There’s been talk about the way this latest instalment of the rebooted Ape franchise, and the one which brings the story of the brainy messianic ape Caesar full circle, is an allegory of Isis’s onslaught in Iraq or the rise of Donald Trump. Read more... |
The Last Word film review - Shirley MacLaine's spit and vinegar remain intactFriday, 07 July 2017
If you're going to cobble together an entirely pro forma film, it's not a bad idea to give Shirley MacLaine pride of place. At 83, this redoubtable pro is no more capable of falsehood now than she ever was. It means that, although individual moments of The Last Word may find you rolling your eyes, its central performance rivets attention from first to last. Read more... |
Spider-Man: Homecoming review - fresh, funny version of the arachnid avengerWednesday, 05 July 2017
First introduced into the burgeoning “Marvel Cinematic Universe” in last year’s Captain America: Civil War, Tom Holland’s incarnation of Spider-Man is another triumph for this exuberant franchise (even if some might feel a pang for the fine and still-recent pairing of Andrew Garfield and Emma Stone under director Marc Webb's helmsmanship). Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Chuck Prophet, Mid Sussex Music Hall, Hassocks review – the...
Thirty years ago, Chuck Prophet was the Keith Richards-like guitar hotshot in Green On Red, peers of R.E.M. and among the raw country-punk...
Oscars 2025: long day's journey into 'Anora'
Amid these troubling times, can we not all live in the world of the 2025 Oscars' runaway success story, an ever-smiling Sean Baker? That thought...
Hylozoic/Desires: Salt Cosmologies, Somerset House and The H...
The railways that we built in India may be well known, but I bet...
Album: Jethro Tull - Curious Ruminant
Folk rock has long been one of Jethro Tull’s strongest suits. Ian Anderson’s integration of...
Alterations, National Theatre review - high emotional costs...
Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full...
Uprising, Glyndebourne review - didactic community opera sup...
The score is effective, and rewarding to perform, but derivative. The libretto uses every cliché, or truism, about save-the-planet youth activism...
Music Reissues Weekly: Kraftwerk - Autobahn at 50
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode...
Mahan Esfahani, Wigmore Hall review - shimmering poise and r...
To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While...
Album: Architects - The Sky, The Earth & All Between
Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...