Film Reviews
The Shape of Water review - love in a Cold War climateWednesday, 14 February 2018
Guillermo del Toro has laid down markers as a wizard of the fantastical with such previous works as Pan’s Labyrinth and Crimson Peak (though we’ll skate nimbly around Pacific Rim), and now he has brought it all back home with The Shape of Water, as its 13 Academy Award... Read more...
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Loveless review - from Russia, without loveFriday, 09 February 2018
After the anger, the emptiness… Russian director Andrey Zvyagintsev’s Loveless is his fifth film, and harks back to the world of complicated, somehow unelucidated family relationships that characterised his debut, The Return, the work that brought Zvyagintsev immediate acclaim back in 2003. His previous film, the tempestuous Leviathan from four years ago, was... Read more... |
The Mercy review - Colin Firth's leaking vesselThursday, 08 February 2018
Fakery is promised in the opening image of The Mercy. A smiling beauty water-skis over sunny seas, only for the camera to pull away and reveal she is part of a maritime expo in a vast exhibition hall. One of the other exhibitors is an inventor called Donald Crowhurst (Colin Firth), who enlists his beaming sons to demonstrate his Navicator, a simple tool to guide sailors on the high seas.... Read more... |
Makala review - capturing human spirit on filmSaturday, 03 February 2018
We follow Kabwita Kasongo on his morning routine, lingering over the shoulder as he treks through the village. A pastel sunrise greets vast landscapes, the morning breeze visible for miles around. He heads to a tree at the edge of a mountain, and begins a day’s work chopping it down. Read more... |
Phantom Thread review - Daniel Day-Lewis bows out in styleFriday, 02 February 2018
A perfectionist says goodbye to an art form he has done so much to nourish by playing – you guessed it – a perfectionist. Read more... |
Journey's End review - requiem for the poor bloody infantryTuesday, 30 January 2018
With Dunkirk and Darkest Hour threatening to storm the Oscars, it seems there’s suddenly plenty of mileage in portraits of the British at war. Read more... |
Last Flag Flying review - Richard Linklater on the lies of warFriday, 26 January 2018
This Vietnam vet/road movie is a warm-hearted, meandering piece, but any similarities to Linklater’s Boyhood or the Before…trilogy end there. This is a darker story, but not dark enough, and you wish it could have been less conventional and harder-hitting. Set in 2003, its first scene is in a run-down Virginia bar with Sal, a jaded alcoholic ex-marine (Bryan Cranston in a stand-out performance) at its helm. Read more... |
Early Man review - delight for football fans and kids alikeThursday, 25 January 2018
Nick Park’s utterly charming new animation channels the spirits of so many cinema and comedy ghosts that its originality can be overlooked – but it shouldn’t be. This is a fresh narrative in an era where films aimed at young audiences are dominated by sequels, prequels, remakes, comic... Read more... |
Downsizing review - little things please littleWednesday, 24 January 2018
Alexander Payne’s best-loved film is Sideways but that title may as well work for everything and anything in his oeuvre. In Election, About Schmidt, The Descendants and Nebraska, he puts America and Americans under the microscope from a variety of quizzically oblique angles. There’s another tilt shift in his latest satire. Read more... |
The Final Year review - Greg Barker documents Obama's last year in officeFriday, 19 January 2018
"The Times They Are A-Changin'" has never sounded so menacing. Read more... |
The Post review - Spielberg's glorious paean to printThursday, 18 January 2018
It beggars belief that, from the moment Steven Spielberg took delivery of the script by first-timer Liz Hannah, it took a mere 10 months to get The Post in the can. Its subject being the race to publish, that's a fitting rate of production. Introducing the film at its London premiere, Spielberg stressed the urgency of a story about the media under renewed attack. For Richard... Read more... |
The Commuter review - trouble on the main lineWednesday, 17 January 2018
Nobody is more sensitive about the notion of becoming a geriatric action hero than Liam Neeson (“guys, I’m sixty-fucking-five,” as he points out), but he can still punch bad guys and leap off moving trains with the best of ‘em. Read more... |
A Woman's Life review - simple but affectingFriday, 12 January 2018
A Woman’s Life first premiered at the 2016 Venice International Film Festival, alongside the likes of La La Land, Arrival and Jackie. Though it’s taken longer to get to our shores than its contemporaries, the film feels fresh and relevant. Read more... |
Darkest Hour review - Winston airbrushed for the 21st centuryThursday, 11 January 2018
The Great Man theory of history is applied by Darkest Hour director Joe Wright to his star Gary Oldman as much as their subject Winston Churchill. Read more... |
Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fireWednesday, 10 January 2018
It probably won’t take long for the title to be sawn in half. Three Billboards Outside Ebbing, Missouri will become casually known as Three Billboards and its specific location will drift into a vaguely remembered background. The place name is of a piece with Martin McDonagh’s previous visits to half-mythical places: Inishmore, Inishmaan, Leenane. Ebbing is everywhere and nowhere, a no-account small town in the faceless epicentre of the Midwest where a teenage girl can be... Read more... |
Hostiles review – powerful but preachy Frontier fableFriday, 05 January 2018
The last time we saw Christian Bale in a western, he was playing the downtrodden rancher Dan Evans in James Mangold’s punchy remake of 3.10 to Yuma. Read more... |
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