Film Reviews
Adrift review - lost at seaFriday, 29 June 2018
There is something irresistibly haunting about tales of epic sea voyages and the perils they entail. Recently we’ve had two versions of the tragic saga of lone yachtsman Donald Crowhurst (not to mention the excellent documentary Deep Water from 2006), and you could lob into the mix the Robert Redford vehicle All Is Lost, Kon-Tiki, White Squall and… er… many more. Read more... |
Sicario: Day of the Soldado review - violent, explosive and nihilistic thrillerThursday, 28 June 2018
The issue of immigrants being smuggled across the Mexican border into the USA is currently live and inflammatory, and this second instalment of the feds-versus-drugs cartels saga hurls us right into the centre of it. Read more... |
Leave No Trace review - intense off-grid dramaWednesday, 27 June 2018
The dad who lives off-grid with his offspring is becoming a regular visitor to cinema screens. He was last seen in the guise of Viggo Mortensen in Captain Fantastic, the story of the father whose seven-strong brood must learn to come out of the forest and live in society. Read more... |
In The Fade review - twisty German courtroom dramaThursday, 21 June 2018
The Cannes jury in 2017 gave best actress to Diane Kruger for her performance in In the Fade. She plays Katja, who turns avenging angel when her son and Turkish husband are murdered. It’s Kruger’s first acting role in her native German and she’s on screen for almost the entire film. Whether you are absorbed by the narrative of In the Fade (German title: Aus der Nichts) or find... Read more... |
Ocean's 8 review – half-cocked caperMonday, 18 June 2018
Perfectly timed, in theory, for the advent of #MeToo and Hollywood’s post-Weinstein era, this girl-power redesign of the Ocean franchise has lined up a turbo-charged cast and then not given them anything very interesting to do. Read more... |
The Happy Prince review - Wilde at heartFriday, 15 June 2018
Oscar Wilde did not have a dignified departure. As soon as he died, his body began to emit a river of fluids from various orifices. At the graveside in Père Lachaise there were unseemly scenes which no witness was indiscreet enough to describe, but probably they involved theatrics from Bosie. Wilde, using Canon Chasuble as a mouthpiece, had once joked about choosing to be interred in... Read more... |
The Ciambra review - supremely effective storytellingThursday, 14 June 2018
The Ciambra is a wonderful and subtle piece of filmmaking. Director/writer Jonas Carpignano captures the genuine heart and fire of family relationships with an amateur cast of relatives, led by the magnetic young Pio Amato. Read more... |
City of Ghosts review - chilling but inspiring report on Syria's citizen journalistsTuesday, 12 June 2018
Raqqa was once a prosperous if little-known town in northern Syria. Since 2014, however, it has served as the de facto capital of ISIS’s self-styled caliphate, and as such has been physically decimated, its population subjected to increasingly horrific subjugation. Read more... |
Studio 54 review - boogie wonderlandMonday, 11 June 2018
You need to be of a certain age to recall the sheer ubiquity of Studio 54. For a few years in the late 1970s, even the sterner British newspapers were routinely stuffed with stories of who was there and what went on within the hallowed citadel (if not who went down, and on whom). Read more... |
Jurassic World: Fallen Kingdom review - dinosaurs in perilFriday, 08 June 2018
I see critics elsewhere have been churlishly sticking the boot into this latest episode of the now quite venerable dinosaurs-reborn franchise (Steven Spielberg’s original arrived in 1993). Read more... |
McQueen review - the dark brilliance of Alexander McQueenTuesday, 05 June 2018
Lee Alexander McQueen said that he pulled the horrors out of his soul and put them on the catwalk. Eight years after his death, and three years after the record-breaking Savage Beauty retrospectives at the Metropolitan Museum and the V&A, his extraordinary story remains as powerful as ever. Read more... |
My Friend Dahmer review - sympathy for the devilMonday, 04 June 2018
“He’s not a sideshow attraction,” we hear towards the end of Marc Meyers’s queasily compelling My Friend Dahmer, when one of the “Dahmer Fan Club”, a group of high school sham-friends-cum-taunters who have been treating the film’s teen protagonist as if he was just that, has... Read more... |
Ismael's Ghosts review - call me novelisticFriday, 01 June 2018
The literary allusions and aspirations come thick and fast in this roomy, novelistic, most French of films from Arnaud Desplechin. Read more... |
Solo: A Star Wars Story review - timid and torpidSaturday, 26 May 2018
This is franchise film-making at its worst. A Han Solo: Year Zero origin yarn makes some sense, after Harrison Ford’s piratical hero finished on the wrong end of a lightsaber in The Force Awakens. Read more... |
Edie review - Sheila Hancock gets summit feverWednesday, 23 May 2018
There have been plenty of films about mountains, and they are mainly about men. The plot tends not to vary: man clambers up peak because, as Mallory famously reasoned, it is there. Whether factual or scripted, often they are disaster movies too: Everest, Touching the Void, the astonishing German film about the race to conquer the vertical wall of the Eiger, North Face. Read more... |
On Chesil Beach review - perfect playing in a poignant Ian McEwan adaptationSunday, 20 May 2018
Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the screen himself at least partly because he did not want anyone else to do so (with earlier works, including Atonement, he was glad not to have taken on the adaptation). The sensitivity of the... Read more... |
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