Film Reviews

You Were Never Really Here review - a wild ride to the dark side

Adam Sweeting Thursday, 08 March 2018

The gripping paradox of Lynne Ramsay’s terse, brutal thriller is suggested in its title.

Scott and Sid review - self-absorbed vanity project

David Kettle Tuesday, 06 March 2018

There’s a Big Reveal that comes right at the end of this new indie movie from first-time writer/producer/directors Scott Elliott and Sid Sadowskyj (whose names, in retrospect, should have given the game away right from the start). For (complete spoiler alert!) this is Elliott and...

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Bombshell: The Hedy Lamarr Story review - Hollywood's brainiest beauty

Jasper Rees Monday, 05 March 2018

Hedy Lamarr really ought to be the poster girl for the Time's Up movement. “Any girl can look glamorous," she once said. "All she has to do is stand still and look stupid.” She was the model for Catwoman and Disney's Snow White. It's less well known that she patented an invention which led to the creation of Bluetooth and Wi-Fi. If she were alive now, she might be sitting on a £30 billion dollar fortune.

A Fantastic Woman review - from Chile with heat

Saskia Baron Saturday, 03 March 2018

The woman of the title is not the first person we meet on screen; we meet her lover, a 57-year-old silver fox Orlando (Francisco Reyes). He’s getting a massage in a sauna and then returning to his office where he owns a printing company. We meet him again later. He’s looking for someone, a beautiful merengue singer performing in a fancy hotel. Marina (Daniela Vega, pictured below with Reyes) sings "Your love is yesterday’s newspaper" and they lock eyes.

Marina has been...

Red Sparrow review - from Russia with lust

Adam Sweeting Friday, 02 March 2018

As it turns out, the slashed-to-the-hip Versace dress with which Jennifer Lawrence provoked controversy (synthetic or otherwise) on a freezing London rooftop was an accurate barometer of what to expect from Red Sparrow.

DVD: Boy

David Kettle Friday, 02 March 2018

Following his irreverent superhero reboot Thor: Ragnarok, one of 2017’s most distinctive blockbusters, and his quirky Kiwi indie comedy Hunt for the Wilderpeople in 2016, it’s fair to say that interest in New Zealand director Taika Waititi’s back catalogue is high. Hence,...

Game Night review - Rachel McAdams is bliss in bonkers comedy thriller

Matt Wolf Thursday, 01 March 2018

Fake news takes on new meaning in the largely gonzo Game Night, which leaves spectators wondering moment-to-moment whether what they are watching is reality or part of a continually unfolding game. Telling of a gathering of six whose game night doesn't quite, um, go according to plan, this co-directing effort between John Francis Daley and Jonathan Goldstein throws numerous genres into the celluloid megamix and blends them to the max.

The Light of the Moon, Amazon Prime review - coping with the unthinkable

Adam Sweeting Wednesday, 28 February 2018

This account of the aftermath of a sexual assault is handled with a clear-headed restraint and attention to detail that’s refreshing in the feverish post-Weinstein climate.

Mom and Dad review - daft and dark zombie thriller

Veronica Lee Wednesday, 28 February 2018

As Mom and Dad opens, after a comically shocking preface, the Ryan family are presented as a typical all-American middle-class family – albeit one that, strangely enough, can afford a daily maid who cooks their breakfast.

Dark River review - haunted rural realism

Nick Hasted Friday, 23 February 2018

Country darkness falls quickly when Alice (Ruth Wilson) goes back to the farm. She stops before entering to gratefully absorb the Yorkshire countryside’s sunny beauty.

DVD/Blu-ray: The Party

Owen Richards Friday, 23 February 2018

Take one of the strongest casts in British cinema and put them in a confined space; it was always going to be fun. Sally Potter’s The Party sets its sights on the duplicitous liberal elite, where venality hides behind paper...

I, Tonya review - Margot Robbie shines in over-complicated oddity

Markie Robson-Scott Thursday, 22 February 2018

Tonya Harding and the kneecapping of Nancy Kerrigan – what a story it was, back in 1994.

Lady Bird review - Greta Gerwig's luminous coming-of-age movie

Markie Robson-Scott Friday, 16 February 2018

Greta Gerwig, in her hugely acclaimed, semi-autobiographical directing debut (a Golden Globe for best director, five Academy Award nominations) opens Lady Bird with a Joan Didion quote: “Anyone who talks about California hedonism has never spent a Christmas in Sacramento.”

Black Panther review - more meh than marvellous

Saskia Baron Friday, 16 February 2018

Black Panther arrives with all the critics displaying superhero-sized goodwill for its very existence. It’s a big budget mainstream Marvel movie that not only features a nearly all-black cast, but it also has an African-American writer director (Ryan Coogler) and co-screenwriter (Joe Robert Cole).

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The Shape of Water review - love in a Cold War climate

Adam Sweeting Wednesday, 14 February 2018

Guillermo del Toro has laid down markers as a wizard of the fantastical with such previous works as Pan’s Labyrinth and Crimson Peak (though we’ll skate nimbly around Pacific Rim), and now he has brought it all back home with The Shape of Water, as its 13 Academy Award...

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Loveless review - from Russia, without love

Tom Birchenough Friday, 09 February 2018

After the anger, the emptiness… Russian director Andrey Zvyagintsev’s Loveless is his fifth film, and harks back to the world of complicated, somehow unelucidated family relationships that characterised his debut, The Return, the work that brought Zvyagintsev immediate acclaim back in 2003. His previous film, the tempestuous Leviathan from four years ago, was...