Film Reviews
LFF 2018: Roma review – Alfonso Cuarón’s triumphant return to MexicoSaturday, 20 October 2018
It’s not for nothing that Alfonso Cuarón’s mercurial CV includes Harry Potter and the Prisoner of Azkaban, because this director really knows something about alchemy. Read more... |
LFF 2018: The Favourite review - Queen Anne's bizarre love triangleSaturday, 20 October 2018
Olivia Colman will in due course be appearing as Elizabeth II in The Crown, surely a role of a very different hue to her portrayal of Queen Anne in Yorgos Lanthimos’s The Favourite (shown at LFF).... Read more... |
Dogman review - Matteo Garrone takes on the mafia againFriday, 19 October 2018
There aren’t many movies that cater to audiences with a passion for canine grooming, the mafia and dismal seaside resorts but Dogman more than satisfies all those cravings. Ten years after Matteo Garrone won Cannes with the searingly brutal Gomorrah, the director returns with another drawn-from-life tale of everyday Italian mobsters. The titular hero is Marcello (Marcello Fonte), a... Read more... |
LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to killFriday, 19 October 2018
While much has been said of Luca Guadagnino’s remake of Dario Argento’s cult horror Suspiria, it’s the latest stylishly bizarre confection by British writer-director Peter Strickland – about a demonic dress, no less – that comes much closer to the strange spirit of Italian horror. Read more... |
Science Fair review - big on ambition, light on rigourFriday, 19 October 2018
More than 1,700 teenage finalists representing 78 countries take part in the annual International Science and Engineering Fair, virtually the Oscars for exceptional young biologists, physicists, chemists, mathematicians, computer scientists, doctors and more. If they’re selected for ISEF, these young brainboxes get to show the fair’s forbidding judges what contributions they’re planning to make to our futures –... Read more... |
LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and JackmanWednesday, 17 October 2018
The “portmanteau” form of film-making is almost guaranteed to deliver patchy results, and The Ballad of Buster Scruggs, the Coen brothers’ six-pack of tall tales from the Old West (screened at London Film Festival), can’t quite avoid this age-old trap. Read more... |
1945 review - Hungarian holocaust dramaFriday, 12 October 2018
Ferenc Török is firmly aiming at the festival and art house circuit with his slow-paced recreation of one summer day in rural Hungary. Read more... |
LFF 2018: Colette review - zinging with zeitgeisty relevanceFriday, 12 October 2018
The story of French author and transgressor of social mores Colette has been told before on screen and in song, but this new film version (shown at London Film Festival) from director Wash Westmoreland not only zings with zeitgeisty relevance, but gives each of its stars, Keira Knightley and Dominic West, one of the... Read more... |
First Man - Neil Armstrong's giant leapThursday, 11 October 2018
Echoes of Phil Kaufman’s 1983 classic The Right Stuff resonate through Damien Chazelle’s new account of how Neil Armstrong became the first man to walk on the moon. Read more... |
Tehran Taboo review - transgressive animationSaturday, 06 October 2018
For all the bleakness of its subject matter, there’s considerable exhilaration to Ali Soozandeh’s animation feature Tehran Taboo. That’s due, in part, to the film’s breaking of many of the official “rules” of Iranian... Read more... |
A Star is Born review - Bradley Cooper and Lady Gaga make a compellingly combustible duoFriday, 05 October 2018
"It's the same old story, told over and over forever": So remarks the redoubtable Sam Elliott late in the most recent reboot of A Star is Born, which itself manages to take an oft-told story and reinvent it very much afresh. Read more... |
Kusama - Infinity review - amazing tale of survival against the oddsThursday, 04 October 2018
Wearing a red dress covered in black polka dots and a bright red wig, Japanese artist Yayoi Kusama sits drawing, a look of intense concentration on her face. It takes her three days, she says, to finish one of these huge repeating patterns (main picture) and ideas pour out faster than she can realise them, even though she works all day, six days a week. Read more... |
The Wife review - Glenn Close deserves better from her latest Oscar bidFriday, 28 September 2018
Writers need to write, or so goes the unimpeachable argument that underpins The Wife, which is being strongly touted as the film that may finally bring leading lady Glenn Close an Oscar in her seventh time at bat. Read more... |
Black 47 review - a gripping and unusual dramaThursday, 27 September 2018
Even for those with only a passing acquaintance with Irish history, the Famine – or the Great Hunger – looms large, when British indifference to the failed potato crop in large parts of Ireland resulted in the deaths or emigration of nearly a quarter of the country’s population in the 1840s and 1850s. Read more... |
Skate Kitchen review - sisterhood in the skate parkThursday, 27 September 2018
“Let’s get a clip, Long Island.” One New York skateboarder encourages another, who’s from the ‘burbs, to show off ollies, pop shuvits and kick-flips for a YouTube video. But hang on: “There are too many penises in the way.” This is a posse of young women, a rare sighting in the male world of the skate park. Read more... |
The Little Stranger review - the wrong sort of chillsSaturday, 22 September 2018
Domnhall Gleeson needs to watch it. In Goodbye Christopher Robin he played AA Milne, the creator of Pooh and co. To achieve the correct level of period English PTSD, it was as if he’d folded himself up into a neat pile of desiccated twigs. And now he’s gone and done it again in The Little Stranger, only more so. Read more... |
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