Film Reviews
DenialThursday, 26 January 2017
As alternative facts go, few are as grievous as the assertion that the Holocaust didn't happen. That's the claim on which the British historian (I use that word advisedly) David Irving has staked an entire career. Its day in court provides sufficient fuel to power the new film Denial, even when the creative team don't always seem to be giving the charged material their best shot. ... Read more... |
T2 TrainspottingFriday, 20 January 2017
"This had better not be shite, Danny," was the warning delivered to director Danny Boyle from his cast, amazingly reunited from the original Trainspotting 21 years later. They had reason to be fearful, knowing how things often go with sequels, but Boyle, teaming up again with original screenwriter John Hodge, has pulled a fabulously misshapen rabbit out of his hat, which triggers echoes of the 1996 film yet can stand unaided in its own right. Read more... |
JackieFriday, 20 January 2017
“A First Lady must always be ready to pack her suitcases,” remarks Jackie Kennedy (Natalie Portman). Melania Trump, take note. Jackie, the first English-language film by the Chilean director Pablo Larrain (Neruda, No), is set in the week following the assassination of President Kennedy in 1963, as Jackie moves out of the White House and before the Johnsons move in. Read more... |
LionThursday, 19 January 2017
The homecoming narrative is one of the most elemental ones we know, playing on the most primal human emotions. Stories of separation and reunion have been handed down from time immemorial, varying in their specifics but dominated by their intricate connection to feelings of origin and identity. Lion may be inextricably linked to the details of contemporary life in one sense, but its final scenes have a power that goes far beyond it. In director Garth Davis’s hands the story is told... Read more... |
Manchester by the SeaFriday, 13 January 2017
There is an event at the heart of Manchester by the Sea that cannot be spoken about, either here or by any character who is a witness to it. But it explains why Lee Chandler (Casey Affleck) has withdrawn into a state of catatonic frigidity. He is so cut off from the world around him he can barely persuade a muscle on his face to twitch. Only if he sinks enough beers is he roused to start thumping people in bars before returning to his dingy one-room apartment. We’re a long way from... Read more... |
Live by NightThursday, 12 January 2017
The aura of Ben Affleck burneth bright. It only seems about 10 minutes ago that he starred in The Accountant, and now here’s Live by Night, his fourth outing as director, and the second movie on which he’s been writer, director and star. Read more... |
La La LandTuesday, 10 January 2017
An increasingly fractious America could take a leaf from the ravishing opening sequence of La La Land. A cross-section of drivers caught in LA freeway gridlock forsake their vehicles to become a dizzyingly frolicsome community that look capable of leaping their way to the stars. Road rage and rancour? Not for a second, just a shared belief in the buoyancy that happens when your body simply needs to dance. That overriding vivacity proves an apt point of departure for... Read more... |
Zero DaysFriday, 06 January 2017
A computer virus – even one as apparently malevolent and unstoppable as the infamous Stuxnet – would make an unlikely subject for a feature-length documentary, you might think. But New York documentary maker Alex Gibney’s Zero Days is a remarkable achievement – and in so many ways. Read more... |
Best (and Worst) of 2016: FilmSaturday, 31 December 2016
Prepare to disagree. 2016 has been getting bad reviews all year long, but for film it was actually pretty strong. So strong, in fact, that there are big omissions from this list of our best films from the past 12 months. Our method of selection was arbitrary: each of the theartsdesk’s film reviewers was invited to volunteer one film each as their favourite of the year. No one was allowed to choose two. So there is no place in our top seven for the film which was this... Read more... |
SilenceSaturday, 31 December 2016
Audiences cannot fail to register the enormity of Martin Scorsese’s achievement in Silence. At 160 minutes, it hangs heavy over the film: adapted from the 1966 novel by Japanese writer Shusaku Endo, Silence has been close on three decades in the director’s preparation. It raises questions that are usually approached with Capital Letters. There are moments that are... Read more... |
Crash and BurnThursday, 29 December 2016
Not all racing drivers are created equal. New world champion Nico Rosberg is the son of a former F1 champion, grew up in Monaco, speaks five languages and turned down an offer to study aeronautical engineering at Imperial College, London. Read more... |
A Monster CallsWednesday, 28 December 2016
It's not often you hear the sound of film critics sobbing quietly to themselves, but this really happened at the screening I attended of A Monster Calls. Having seen the trailer, with its scenes of a giant tree stomping around a spooky-looking rural landscape, I'd marked it down as one to avoid. How wrong can you be. Read more... |
Why Him?Monday, 26 December 2016
One hardly expects a film like Why Him? to be high art, which is another way of saying that if you approach it in the right spirit (and with enough drink inside you) this well-timed holiday release should provide guiltily entertaining fun. Most easily described as a coarsened Meet the Parents redux, John Hamburg's generation-gap comedy pits the decent but fundamentally square Ned Fleming (Bryan Cranston) against the spectacularly badly behaved Silicon Valley... Read more... |
Christmas Book: When Broadway Went to HollywoodSaturday, 24 December 2016
Tinseltown's relationship to its more sophisticated, older New York brother is analogous to Ethan Mordden's engagement by Oxford University Press. The presentation is a sober, if slim, academic tome with an austere assemblage of black-and-white photos in the middle; what we get in the text is undoubtedly erudite but also racy, gossipy, anecdotal, list-inclined, sometimes camp and a tad hit and miss. Read more... |
PassengersWednesday, 21 December 2016
Despite being kitted out with a full-scale intergalactic spaceship and all known computerised effects, Passengers is essentially a two-hander for its stars Chris Pratt and Jennifer Lawrence. Or you could maybe stretch that to a two-and-a-half-hander, if you include Michael Sheen's oily and obsequious bar-tending android. Perhaps it's part of director... Read more... |
Rogue One: A Star Wars StoryThursday, 15 December 2016
Whether you use its optional subtitle A Star Wars Story or not, Rogue One arrives with a diminutive air. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Alterations, National Theatre review - high emotional costs...
Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full...
Uprising, Glyndebourne review - didactic community opera sup...
The score is effective, and rewarding to perform, but derivative. The libretto uses every cliché, or truism, about save-the-planet youth activism...
Music Reissues Weekly: Kraftwerk - Autobahn at 50
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode...
Mahan Esfahani, Wigmore Hall review - shimmering poise and r...
To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While...
Album: Architects - The Sky, The Earth & All Between
Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...