tue 01/04/2025

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

Little Women The Musical, Park Theatre review - broad brush comedy redeemed by a talented cast

Read more...

The Shark Is Broken, New Ambassadors Theatre review - how Spielberg's first blockbuster almost didn't happen

Read more...

Documenting the unimaginable: photographer Sebastião Salgado talks about climate change, dodging caimans and changing perspectives

Read more...

Love and Other Acts of Violence, Donmar Warehouse review - snappy and tightly intelligent but flawed

Read more...

Metamorphoses, Sam Wanamaker Playhouse review - punchy, cleverly reworked classic

Read more...

Indecent, Menier Chocolate Factory review - cabaret-style depiction of a rapidly changing world

Read more...

Once Upon A Time In Nazi Occupied Tunisia, Almeida Theatre review - flawed theatre but a great experiment

Read more...

Mr and Mrs Nobody, Jermyn Street Theatre review – as comfortable as afternoon tea with jam puffs

Read more...

Romeo & Juliet, Shakespeare's Globe review - unsatisfactory mix of clumsy and edgy

Read more...

Bach & Sons, Bridge Theatre review - humorous and deeply intelligent

Read more...

The Death of a Black Man, Hampstead Theatre review - blistering theatre with an unflinching vision

Read more...

A Midsummer Night's Dream, Shakespeare's Globe review - a blast of colour from our post-vaccine future

Read more...

Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generation

Read more...

Dream, RSC online review - gaming version unleashes revolutionary potential

Read more...

The Color Purple - at Home, Curve online review – life-affirming musical retelling of Alice Walker's novel

Read more...

All On Her Own, Stream.Theatre online review - a vivid monologue on bereavement

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Balanchine: Three Signature Works, Royal Ballet review - exu...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Howard Amos: Russia Starts Here review - East meets West, vi...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

DVD/Blu-ray: The Substance

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”

Coralie Fargeat,...

A Working Man - Jason Statham deconstructs villains again

The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...

Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...

This City is Ours, BBC One review - civil war rocks family c...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

Tales of Apollo and Hercules, London Handel Festival review...

Over the last three years of the London Handel Festival, two experimental productions have...

Album: Erlend Apneseth - Song Over Støv

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...