fri 29/03/2024

Rachel Halliburton

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Articles By Rachel Halliburton

Swive, Shakespeare's Globe review – pacy, dagger-sharp rewriting of history

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The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story

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The Lion, The Witch and The Wardrobe, Bridge Theatre review – spellbinding narrative of parallel worlds

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Stray Dogs, Park Theatre review – no fire in this historic encounter

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Death of a Salesman, Piccadilly Theatre review - galvanising reinvention of Arthur Miller's classic

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As You Like It, Barbican review – uneven comedy lacks bite

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Translations, National Theatre review - stunning revival of poignant tragicomedy

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Either, Hampstead Theatre review - funny, ingenious investigation of gender and love

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The Permanent Way, The Vaults review – devastating resurrection of play tackling corporate greed

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A Very Expensive Poison, Old Vic review – bold evocation of a post-truth world

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The Secret River, National Theatre review - turbulent tale of Australia's past

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Prince Albert: A Victorian Hero Revealed, Channel 4 review - dramatic documentary filled with intelligent detail

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Whitewash, Soho Theatre review - a wild-at-heart linguistic joy-ride

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A Midsummer Night's Dream, Shakespeare's Globe – blazing-coloured, kick-ass carnival

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Dark Sublime, Trafalgar Studios review – sci-fi tribute is less rocket, more Reliant Robin

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A Midsummer Night's Dream, Bridge Theatre review – gender-juggling romp

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The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...