Rachel Halliburton

Articles By Rachel Halliburton

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness Monday, 18 April 2022 Read more...	Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen Thursday, 14 April 2022 Read more...
The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target Monday, 11 April 2022 Read more...	Small Island, National Theatre review - visually ravishing tale with an epic sweep Monday, 07 March 2022 Read more...
Uncanny Valley, BAC review – fascinating robotic lecture on aspects of the self Monday, 28 February 2022 Read more...	Hamlet, Shakespeare's Globe review - melancholy mash-up lacks chemistry Tuesday, 08 February 2022 Read more...
Best of Enemies, Young Vic review – fast-paced portrait of a clash between two titanic egos Monday, 13 December 2021 Read more...	The Book of Dust, Bridge Theatre review – as much intelligence and provocation as fleet-footed fun Thursday, 09 December 2021 Read more...
Life of Pi, Wyndham's Theatre review - visually ravishing show uplifted by astonishing puppetry Friday, 03 December 2021 Read more...	Four Quartets, Harold Pinter Theatre review - brilliant Fiennes breathes air and physicality into Eliot's work Friday, 26 November 2021 Read more...
Little Women The Musical, Park Theatre review - broad brush comedy redeemed by a talented cast Monday, 22 November 2021 Read more...	The Shark Is Broken, New Ambassadors Theatre review - how Spielberg's first blockbuster almost didn't happen Saturday, 23 October 2021 Read more...
Documenting the unimaginable: photographer Sebastião Salgado talks about climate change, dodging caimans and changing perspectives Thursday, 21 October 2021 Read more...	Love and Other Acts of Violence, Donmar Warehouse review - snappy and tightly intelligent but flawed Tuesday, 19 October 2021 Read more...
Metamorphoses, Sam Wanamaker Playhouse review - punchy, cleverly reworked classic Thursday, 07 October 2021 Read more...	Indecent, Menier Chocolate Factory review - cabaret-style depiction of a rapidly changing world Wednesday, 15 September 2021 Read more...

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Insomnia, Channel 5 review - a chronicle of deaths foretold

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Run Sister Run, Arcola Theatre review - emphatic emotions, o...

Near the start of Chloë Moss’s latest play, Run...

First Person: country singer Tami Neilson on the superpower...
I was born Tamara Lee Neilson. I had an Uncle Kenny and an Aunt Dolly (who played guitar and banjo, respectively). I mean, did I really have a...

Album: Gwenno - Utopia
Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “...

Live Aid at 40: When Rock'n'Roll Took on the World...
“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...
Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night
Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...
Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning
Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...