mon 30/12/2024

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

Prom 7, Dido and Aeneas, La Nuova Musica review - bold and original from the start

Read more...

Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games

Read more...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre review - witty, ingenious exploration of gender transition

Read more...

King Lear, Shakespeare's Globe review - eviscerates emotionally while illuminating a society rotten with lies

Read more...

The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with society

Read more...

Henry VIII, Shakespeare's Globe review - unashamedly vulgar take on our last split with Europe

Read more...

The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama

Read more...

The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like ice

Read more...

Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summer

Read more...

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world

Read more...

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness

Read more...

Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen

Read more...

The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target

Read more...

Small Island, National Theatre review - visually ravishing tale with an epic sweep

Read more...

Uncanny Valley, BAC review – fascinating robotic lecture on aspects of the self

Read more...

Hamlet, Shakespeare's Globe review - melancholy mash-up lacks chemistry

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Split: Barcelona, BBC One review - a soapy special with...

Maybe it was the timing, even though most of the action takes place in bright sunlight...

Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for...

Spence, Perez, Richardson, Wigmore Hall review - a Shakespe...

“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high...

Best of 2024: Comedy

Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't...

Best of 2024: TV

They say cinema is dying (you never know, they may be wrong), but you can’t help noticing the stampede of movie stars towards TV and streaming....

Best of 2024: Music Reissues Weekly

A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh...

Albums of the Year: Beth Gibbons - Lives Outgrown

Beth Gibbons’s latest album touched me more deeply than most of...

Gavin & Stacey: The Finale, BBC One review - hilarious h...

The most hyped special of the season came to a...