Rachel Halliburton

Articles By Rachel Halliburton

Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes Friday, 29 December 2023 Read more...	SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative Thursday, 21 December 2023 Read more...
Aurora Orchestra, Kings Place review - experimental work in an immersive setting Sunday, 26 November 2023 Read more...	Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist Tuesday, 14 November 2023 Read more...
Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions Wednesday, 01 November 2023 Read more...	Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity Monday, 25 September 2023 Read more...
Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back Monday, 18 September 2023 Read more...	As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes Tuesday, 05 September 2023 Read more...
Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece Monday, 04 September 2023 Read more...	Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach Saturday, 26 August 2023 Read more...
Prom 50: Samson, Academy of Ancient Music review - a gradual build in musical and dramatic intensity Thursday, 24 August 2023 Read more...	Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delights Wednesday, 26 July 2023 Read more...
After Byrd, HEXAD Collective, Brunel Tunnel Shaft review - resonant tribute to a subversive genius Saturday, 22 July 2023 Read more...	First Night of the Proms, BBCSO, Stasevska review - fire and elan mark an evening celebrating freedom Saturday, 15 July 2023 Read more...
Romeo and Juliet, Almeida Theatre review - muscular action interspersed with moments of telling stillness Monday, 19 June 2023 Read more...	Bocheng Wang, Wigmore Hall review - extraordinary agility and technical fluidity Thursday, 15 June 2023 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...