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Rachel Halliburton

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Articles By Rachel Halliburton

The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic

Friday, 29 July 2022 Read more...

Prom 9, Finch, BBC National Orchestra of Wales, Matiakh review - thrilling, conceptually fascinating evening

Friday, 22 July 2022 Read more...

Prom 7, Dido and Aeneas, La Nuova Musica review - bold and original from the start

Wednesday, 20 July 2022 Read more...

Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games

Wednesday, 13 July 2022 Read more...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre review - witty, ingenious exploration of gender transition

Saturday, 02 July 2022 Read more...

King Lear, Shakespeare's Globe review - eviscerates emotionally while illuminating a society rotten with lies

Monday, 20 June 2022 Read more...

The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with society

Friday, 10 June 2022 Read more...

Henry VIII, Shakespeare's Globe review - unashamedly vulgar take on our last split with Europe

Friday, 27 May 2022 Read more...

The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama

Wednesday, 18 May 2022 Read more...

The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like ice

Monday, 16 May 2022 Read more...

Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summer

Tuesday, 03 May 2022 Read more...

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world

Wednesday, 27 April 2022 Read more...

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness

Monday, 18 April 2022 Read more...

Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen

Thursday, 14 April 2022 Read more...

The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target

Monday, 11 April 2022 Read more...

Small Island, National Theatre review - visually ravishing tale with an epic sweep

Monday, 07 March 2022 Read more...

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Classical CDs: Snowy wastes, Alpine schleps and sand dunes

 

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Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / S...
Sara Barron, Pleasance Courtyard ★★...
Prom 34, Soltani, BBC Philharmonic, Ollikainen review - jour...

Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places...

Shetland, Series 7, BBC One review - Douglas Henshall is bac...

The last couple of series of Shetland (BBC One) brought the...

Eiffel review - sensuous secret history

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a...

Edinburgh Fringe 2022 reviews: Temping / Work.txt

Temping, Assembly George Square Studios ★★★...

Nope review - more a nope than a yep

Writer/director Jordan Peele’s first two features were horror films with bells...

Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yi...
Afghanistan Is Not Funny, Gilded Balloon ★★...
Les Rencontres d'Arles 2022 review - the place to be th...

Les Rencontres d’Arles 2022 is upon us and the town has given itself over to...

Edinburgh Fringe 2022 reviews: Every Word was Once an Animal...

Every Word was Once an Animal, Zoo Southside ★★...