tue 01/04/2025

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with society

Read more...

Henry VIII, Shakespeare's Globe review - unashamedly vulgar take on our last split with Europe

Read more...

The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama

Read more...

The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like ice

Read more...

Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summer

Read more...

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world

Read more...

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness

Read more...

Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen

Read more...

The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target

Read more...

Small Island, National Theatre review - visually ravishing tale with an epic sweep

Read more...

Uncanny Valley, BAC review – fascinating robotic lecture on aspects of the self

Read more...

Hamlet, Shakespeare's Globe review - melancholy mash-up lacks chemistry

Read more...

Best of Enemies, Young Vic review – fast-paced portrait of a clash between two titanic egos

Read more...

The Book of Dust, Bridge Theatre review – as much intelligence and provocation as fleet-footed fun

Read more...

Life of Pi, Wyndham's Theatre review - visually ravishing show uplifted by astonishing puppetry

Read more...

Four Quartets, Harold Pinter Theatre review - brilliant Fiennes breathes air and physicality into Eliot's work

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Balanchine: Three Signature Works, Royal Ballet review - exu...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Howard Amos: Russia Starts Here review - East meets West, vi...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

DVD/Blu-ray: The Substance

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”

Coralie Fargeat,...

A Working Man - Jason Statham deconstructs villains again

The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...

Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...

This City is Ours, BBC One review - civil war rocks family c...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

Tales of Apollo and Hercules, London Handel Festival review...

Over the last three years of the London Handel Festival, two experimental productions have...

Album: Erlend Apneseth - Song Over Støv

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...