thu 25/09/2025

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Read more...

Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite

Read more...

Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle

Read more...

Dr Strangelove, Noël Coward Theatre review - an evening of different parts

Read more...

Music from Pole to Pole, Clark, City of London Sinfonia, Smith Square Hall review - talk of clouds, music to match

Read more...

Natalie Tenenbaum, Oslo Hackney review - shimmering hailstorms of notes

Read more...

theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyond

Read more...

Prom 54, Ma, Ax, Kavakos review - exquisite display of humility and communication

Read more...

Prom 10, Van der Heijden, BBCSSO, Ryan Wigglesworth review - an engaging and esoteric delight

Read more...

First Night of the Proms, BBCSO, Chan review - from the sublime to the mischievously meticulous

Read more...

Concert Theatre DSCH, Norwegian CO, QEH review - visually stunning, viscerally thrilling Shostakovich

Read more...

The Taming of the Shrew, Shakespeare's Globe review - riotous comedy jars with the bitter pill of the production's message

Read more...

Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compelling

Read more...

Die Zauberflöte, Glyndebourne review - cornucopia of visual inventiveness eclipses everything else

Read more...

Britten Sinfonia, The Marian Consort, Milton Court review - a journey around turbulent spirit Gesualdo

Read more...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fields review - engagingly subversive pairing falls short

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

The Harder They Come, Stratford East review - still packs a...

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film,...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...