Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...
There’s a sense of cheerful abandon about Manchester Camerata’s ...
Album: Barry Adamson - Cut to Black
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...
Carmen, Glyndebourne review - total musical fusion
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...
The Great Escape Festival 2024, Brighton review - a dip into...
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...
Fawlty Towers: The Play, Apollo Theatre review - lightning s...
There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...
Laufey, Royal Albert Hall review - fans in heaven
In many ways, Laufey’s emotionally charged, sold-out...
Bermondsey Tales: Fall of the Roman Empire review - dirty de...
What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...
Album: Billie Eilish - Hit Me Hard and Soft
So Billie Eilish’s new album has had its worldwide midnight release,...
Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...
The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...
People, Places and Things, Trafalgar Theatre review - a scin...
It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...