tue 07/01/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Hit & Run, Netflix review - Lior Raz excels as a hard man on a hazardous mission

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Reminiscence review - looks great but doesn't deliver

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Deceit, Channel 4 review - how Colin Stagg became prime suspect in the Rachel Nickell case

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theartsdesk Q&A: writer and comedian Tom Davis

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Watch the Sound with Mark Ronson, Apple TV+ review - riveting survey of the technology that transformed music

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I Am Victoria, Channel 4 review - improvised drama in need of more substance

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Professor T, ITV review - whimsical tales of boffinly detection

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Old review - time flies in tropical island mystery

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

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Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

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Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

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Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

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The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

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Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

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Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

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Blu-ray: The Hop-Pickers

Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...

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There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...

Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...

A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...

Music Reissues Weekly: American Baroque - Chamber Pop and Be...

The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...

Nickel Boys review - a soulful experiment

RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black...

Lockerbie: A Search for Truth, Sky Atlantic review - Colin F...

The destruction of Pan Am flight 103 over Lockerbie on 21 December 1988 was one of the ghastliest events in what would become known as the War on...

Albums of the Year 2024: The Last Dinner Party - Prelude to...

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the...

Davis, National Symphony Orchestra, Maloney, National Concer...

In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in...

Albums of the Year 2024: Mk.gee - Two Star and the Dream Pol...

Mk.gee has been an unexpected thread in a year of music that’s pulled me in many different directions, punctuating the need for unique, sonically...