sun 26/10/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

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Rules of the Game, BBC One review - feminist workplace drama topples into farce

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Witch Hunt, All 4 review - dark deeds and dirty money

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The Tourist, BBC One review - gripping Outback thriller from the Williams brothers

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A Very British Scandal, BBC One review - the wild life and times of the Duchess of Argyll

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The Amazing Mr Blunden, Sky Max / The Mezzotint, BBC Two reviews - blundering Blunden eclipsed by M R James

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The Girl Before, BBC One review - high-tech dream home contains many a heartache

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Landscapers, Sky Atlantic review - Olivia Colman and David Thewlis star as a pair of convicted killers

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You Don't Know Me, BBC One review - true love meets inner-city crime wave

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Hellbound, Netflix review - supernatural assassins usher in an age of terror

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The Unforgivable review - Sandra Bullock gets stuck in a doom-struck rut

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The Beatles: Get Back, Disney+ review - 1969 revisited in Peter Jackson's three-part documentary

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Dopesick, Disney+ review - the harrowing inside story of America's OxyContin scandal

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Bruised review - Halle Berry takes the blows and does it her way

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Showtrial, BBC One review - drama a cut above the rest

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Dalgliesh, Channel 5 review - doleful detective fails to fire on all cylinders

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Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...