sun 22/06/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Collini Case review - it might be legal, but that doesn't mean it's justice

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theartsdesk Q&A: filmmaker Marco Kreuzpaintner

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Clickbait, Netflix review - fiendishly cunning thriller keeps everybody guessing

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Vigil, BBC One review - murder most watery

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The White Lotus, Sky Atlantic review - dark side of a tropical paradise

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Britannia, Series 3, Sky Atlantic review - murder, mysticism and anaemic slapstick

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The Beach Boys: Feel Flows - the Sunflower and Surf's Up Sessions 1969-1971

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Hit & Run, Netflix review - Lior Raz excels as a hard man on a hazardous mission

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Reminiscence review - looks great but doesn't deliver

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Deceit, Channel 4 review - how Colin Stagg became prime suspect in the Rachel Nickell case

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theartsdesk Q&A: writer and comedian Tom Davis

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Watch the Sound with Mark Ronson, Apple TV+ review - riveting survey of the technology that transformed music

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I Am Victoria, Channel 4 review - improvised drama in need of more substance

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Professor T, ITV review - whimsical tales of boffinly detection

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Old review - time flies in tropical island mystery

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

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Outrageous, U&Drama review - skilfully-executed depictio...

If somebody submitted a treatment for a new costume drama series set in the...

Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

Album: Benson Boone - American Heart

I first had a conversation about Benson Boone without realizing it was him we were talking about. It went something like: “Did...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...