mon 20/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Offended by Irvine Welsh, Sky Arts review - are we seeing the end of free speech?

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The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulence

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theartsdesk Q&A: screenwriter Jed Mercurio

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The Queen's Gambit, Netflix review - chess prodigy's story makes brilliant television

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The Sister, ITV review - half-baked dramatisation of esteemed novel

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The Undoing, Sky Atlantic review - trouble in paradise for gilded Manhattan couple

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Bruce Springsteen's Letter to You, Apple TV+ review - his new album is a matter of life and death

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Roadkill, BBC One review - David Hare pokes under the floorboards of the Conservative party

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LFF 2020: Never Gonna Snow Again review - mystic masseur with God-like gifts

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Emily in Paris, Netflix review - addictive escapism in the City of Light

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Enslaved with Samuel L Jackson, BBC Two review - ambitious history of the slave trade falls short

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LFF 2020: One Night in Miami review - Kemp Powers's play makes the leap to the big screen

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Brave New World, Sky 1 review - Aldous Huxley's novel doesn't look very happy on TV

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Away, Netflix review - pioneering voyage to Mars descends into astrosoap

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Sheridan Smith: Becoming Mum, ITV review - will motherhood be the gateway to a new life?

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All Creatures Great and Small, Channel 5 review - revival of vintage vet show is full of Yorkshire promise

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latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Die Zauberflöte, Glyndebourne review - cornucopia of visual...

Five years after it first clattered onto the ...

Hough, Hallé, Elder, Bridgewater Hall, Manchester review - a...

It’s probably a bit early to be getting misty-eyed about the approaching end of Sir Mark Elder’s time as music director of the Hallé, but the...

Clinton Baptiste, Touring review - spoof clairvoyant on grea...

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...