fri 10/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Mare of Easttown, Sky Atlantic review - Kate Winslet shines in finely-drawn Pennsylvania mystery

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Promising Young Woman, Sky Cinema review - Emerald Fennell's brilliant directorial debut

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Bent Coppers: Crossing the Line of Duty, BBC Two review - when crime paid handsomely for corrupt officers

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Too Close, ITV review - capable cast struggles with unrewarding material

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Sound of Metal review - hidden depths behind the decibels

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Intruder, Channel 5 review - implausible but watchable

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Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British Establishment

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Keeping Faith, Series 3, BBC One review - is the drama turning to melodrama?

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Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

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The One, Netflix review - the downside of scientific matchmaking

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

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Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

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The Terror, BBC Two review - nightmare in the Arctic wastes

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Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

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Billie Eilish: The World's a Little Blurry, Apple TV+ review - sprawling account of the singer's rise to superstardom

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latest in today

La Chimera review - magical realism with a touch of Fellini

Italian director Alice Rohrwacher (The WondersHappy as...

Twelfth Night, Regent's Park Open Air Theatre review -...

In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could engender wicked...

Made in England: The Films of Powell and Pressburger review...

This long, fascinating documentary was apparently intended as the centrepiece of last autumn’s BFI celebration of the films of Michael Powell and...

Multiple Casualty Incident, The Yard Theatre review - NGO me...

We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single...

Album: Abigail Lapell - Anniversary

Anniversary is Canadian singer-songwriter Abigail...

Spirited Away, London Coliseum review - spectacular re-imagi...

Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking ...

Album: Kings Of Leon - Can We Please Have Fun

The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to...

Brancusi, Pompidou Centre, Paris review - a sculptor's...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...

Album: Bab L'Bluz - Swaken

Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...