thu 09/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

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Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

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Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

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Cruella review - fabulous fashions, creaky narrative

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Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in Montana

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We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

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Army of the Dead review - triumphant return to zombieland by director Zack Snyder

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The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

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The Woman in the Window review - hitching a ride with Hitch

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Domina, Sky Atlantic review - a little less conversation, a little more action required

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Danny Boy, BBC Two review - when law and war collide

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Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe Edition

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Line of Duty, Series 6 Finale, BBC One review - crafty ending leaves wriggle room for a sequel

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Intergalactic, Sky One review - lovely CGI, shame about the drama

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Viewpoint, ITV review - the perils of the peeping tom police

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Line of Duty, Series 6, Episode 6, BBC One review - the pace accelerates for AC-12's final countdown

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latest in today

Spirited Away, London Coliseum review - spectacular re-imagi...

Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking ...

Album: Kings Of Leon - Can We Please Have Fun

The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to...

Brancusi, Pompidou Centre, Paris review - a sculptor's...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...

Album: Bab L'Bluz - Swaken

Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...

Album: Pokey LaFarge - Rhumba Country

Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...