thu 23/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Spiral, Series 8, BBC Four review - dark days in the City of Light

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Steve McQueen: The Lost Movie, Sky Documentaries review - the classic motor racing film that never was

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The Great, Channel 4 review - Russian history gets a whirl in the fictional blender

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Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

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All Creatures Great and Small: Christmas Special, Channel 5 review - big and little dramas in the Dales

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Let Him Go review - melancholy family drama morphs into ferocious thriller

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Wonder Woman 1984 review - be careful what you wish for

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Mosul, Netflix review - gruelling story of Iraq's Nineveh SWAT team

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Tin Star: Liverpool, Sky Atlantic review - massed mayhem on Merseyside

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Coronation Street: 60 Unforgettable Years, ITV review - inside story of the world's longest-running TV soap

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Host review - Zoom seance triggers unspeakable consequences

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The Dambusters, Channel 5 review - yet another telling of the Bouncing Bomb story

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County Lines review - a scary descent into drug-dealer purgatory

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The Undoing, Series Finale, Sky Atlantic review - bluff and double-bluff as the truth is revealed

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Small Axe: Red, White and Blue, BBC One review - sobering real-life story of police officer Leroy Logan

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Possessor review - death by virtual reality

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latest in today

Richard III, Shakespeare's Globe review - Michelle Terr...

There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...

Between Riverside and Crazy, Hampstead Theatre review - race...

It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at...

Album: Isobel Campbell - Bow to Love

Isobel Campbell has maintained a consistent career on the fringes of popular music for three decades. She's made a home in the area where...

'I think of her as a proto-punk': documentarist Sv...

Anita Pallenberg was a vital presence in the Stones’ most vital years. Her bright eyes and hungry mouth betrayed a ferocious appetite for pleasure...

Passing Strange, Young Vic review - exuberant pocket musical...

From New York’s Public Theater, the venue that nurtured Hamilton, comes another estimable pocket...

theartsdesk Q&A: Eddie Marsan and the American Revolutio...

He’s not the kind of actor who has paparazzi following him...

Album: Samana - Samana

The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the...

The Great Escape Festival 2024, Brighton review - 12 hours o...

If the weather’s good TGE Beach is a grand start to a day. As it sounds, it’s a purpose-built seafront space to the east of central...

DVD/Blu-ray: Billy Connolly - Big Banana Feet

The most striking thing about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not...