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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Physical, Apple TV+ review - too much pain, not enough gain

Tuesday, 22 June 2021 Read more...

Loki, Disney+ review - the God of Mischief gets his own TV series

Thursday, 17 June 2021 Read more...

Lupin, Part 2, Netflix review - master of disguise versus racists and lies

Saturday, 12 June 2021 Read more...

Nobody review - Bob Odenkirk reinvents himself as all-action dynamo

Friday, 11 June 2021 Read more...

The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

Thursday, 10 June 2021 Read more...

Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

Monday, 07 June 2021 Read more...

Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

Tuesday, 01 June 2021 Read more...

Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

Thursday, 27 May 2021 Read more...

Cruella review - fabulous fashions, creaky narrative

Thursday, 27 May 2021 Read more...

Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in Montana

Friday, 21 May 2021 Read more...

We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

Friday, 21 May 2021 Read more...

Army of the Dead review - triumphant return to zombieland by director Zack Snyder

Wednesday, 19 May 2021 Read more...

The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

Monday, 17 May 2021 Read more...

The Woman in the Window review - hitching a ride with Hitch

Saturday, 15 May 2021 Read more...

Domina, Sky Atlantic review - a little less conversation, a little more action required

Saturday, 15 May 2021 Read more...

Danny Boy, BBC Two review - when law and war collide

Thursday, 13 May 2021 Read more...

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'We are bowled over!' Thank you for your messages... ...
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The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...

Emma Doran, Leicester Square Theatre review - domestic life...

The Irish diaspora in London were out in force for Emma Doran’s appearance at Leicester Square Theatre. Her online work and her...

Lily Allen's 'West End Girl' offers a bloody,...

Even in our garish online age, most celebrities and...

The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...