sun 02/06/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Brave New World, Sky 1 review - Aldous Huxley's novel doesn't look very happy on TV

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Away, Netflix review - pioneering voyage to Mars descends into astrosoap

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Sheridan Smith: Becoming Mum, ITV review - will motherhood be the gateway to a new life?

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All Creatures Great and Small, Channel 5 review - revival of vintage vet show is full of Yorkshire promise

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Our World: Colombia - Saving Eden, BBC Two review - the war is over, but can they save the rainforests?

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The Truth about Cosmetic Treatments, BBC One review - pain, but not much gain?

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The Unbelievable Story of Carl Beech, BBC Two review - a stomach-turning swamp of lies and incompetence

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Manctopia: Billion Pound Property Boom, BBC Two review - winners and losers as Manchester becomes Manc-hattan

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Spree review - a wild ride through social media madness

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Cuba: Castro vs the World, BBC Two - turbulent life and times of El Comandante

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The Deceived, Channel 5 review - who's fooling who?

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Little Birds, Sky Atlantic review - decadence and intrigue in 1950s Morocco

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The Talk, Channel 4 review - coping with the legacy of racism

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Unhinged review - road-rage Russ goes gonzo

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Prodigal Son, Sky 1 review - meet Michael Sheen, psycho killer

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Our Baby: A Modern Miracle, Channel 4 review - trailblazing couple's amazing journey

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latest in today

A House in Jerusalem review - a haunted house and country

The Israel-Palestine conflict aptly infuses a haunted house in Muayad Alayan’s story of layered loss. The Shapiro family home in Jerusalem which...

Music Reissues Weekly: The Beatles - Stowe School 1963

“We hope if you like it, you'll buy it,” says Paul McCartney. It’s 4 April 1963 and The Beatles are on stage and about to perform their third...

theartsdesk Q&A: Matthew Modine on 'Hard Miles...

Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his...

Album: Marina Allen - Eight Pointed Star

While some tracks on Marina Allen’s third album are country accented and a pedal steel is used a few times, it’s impossible to categorise as ...

Lie Low, Royal Court review - short sharp sliver of pain

Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is, like really okay, why is she seeking help for her...

The Beast review - AI takes over the job centre

Adaptations of Henry James have often failed to click over the years. The author’s private, introspective works – sightseeing trips around people’...

Judy Chicago Revelations, Serpentine Gallery review - art de...

Being a successful artist is not Judy Chicago’s primary goal. She abandoned that ambition six decades ago when the Los Angeles art world greeted...

Album: Becky Hill - Believe Me Now?

There’s a whole generation of singers who’ve risen to considerable fame on the back of the return of home-grown commercial dance music to the...

Boys from the Blackstuff, National Theatre review - a lyrica...

Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's...

Murrihy, Martineau, Wigmore Hall review - poise, transformat...

Peerless among the constellation of Irish singers making waves around the world, mezzo Paula Murrihy first dazzled London as Ascanio in Terry...