sat 04/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Old review - time flies in tropical island mystery

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

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Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

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Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

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Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

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The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

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Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

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Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

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Physical, Apple TV+ review - too much pain, not enough gain

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Loki, Disney+ review - the God of Mischief gets his own TV series

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Lupin, Part 2, Netflix review - master of disguise versus racists and lies

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Nobody review - Bob Odenkirk reinvents himself as all-action dynamo

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The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

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Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

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Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

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latest in today

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...

Nezouh review - seeking magic in a war

The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...

Album: Dua Lipa - Radical Optimism

This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...