tue 26/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Drive to Survive, Season 5, Netflix review - fly-on-the wall F1 show may need a reboot

Read more...

The Gold, BBC One review - gripping dramatisation of the 1983 Brink's-Mat bullion robbery

Read more...

Fauda, Season 4, Netflix review - Israeli terrorism thriller gets darker and dirtier

Read more...

Women at War, Netflix review - contrasting stories entwine during the chaos of World War One

Read more...

Stewart, Sky Documentaries review - touching and insightful portrait of Scottish race ace

Read more...

Happy Valley, Series 3, BBC One review - tension mounts as the Yorkshire crime drama approaches its conclusion

Read more...

Stonehouse, ITV review - history repeats itself as farce

Read more...

Doc Martin Christmas Special, ITV review - Santa comes to Portwenn as the final curtain falls

Read more...

All Creatures Great and Small Christmas Special, Channel 5 review - life during wartime with the Yorkshire vets

Read more...

Wildcat review - damaged war veteran reborn in the Peruvian jungle

Read more...

Adam Sweeting's Top 10 Films of 2022

Read more...

Harry & Meghan, Netflix review - at home with the Harkles

Read more...

George & Tammy, Paramount+ review - alcohol, violence and heartache in Nashville

Read more...

Tokyo Vice, BBC One review - murder, extortion and corruption in the Japanese capital

Read more...

1899, Netflix review - Atlantic voyage turns into cosmic nightmare

Read more...

The English, BBC Two review - Emily Blunt's date with destiny on the prairies

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...