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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Immaturity is a virtue in Kirill Sokolov’s action-horror-comedy, a slapstick class satire set in an exclusive New York apartment block…
After Barber Shop Chronicles comes a female slice of pan-African life, set in Harlem in July 2019, at the fag end of Donald J Trump’s first…
Stagefront are two silhouetted figures, heads at a strange angle. Like hanged men. Beside each is a robed demon sentinel with a burning…
In its heyday, Rodney Ackland’s 1935 play The Old Ladies, adapted from a 1924 novel by Hugh Walpole, was a favourite with doyennes of the…
The Kurdish singer Aynur opened her current European tour in Bristol, presenting music that's rooted in ancient tradition but explores…
José González is one of those musicians who is well known without many recognising it. Until that is, someone plays his most known track “…
Blackpool Cool is the third and last album by Glasgow’s Head. Issued in 1977 on the band’s own Head Records label, it was preceded by 1973’…
The vertigo of lawlessness in Stalin’s Russia carries contemporary resonance in Sergei Loznitsa’s latest Soviet parable. As a Russian…
“Fear death by water,” says the fortune-teller in TS Eliot’s The Waste Land. There were a few moments in Natalie Abrahami’s new production…