The Headless Woman | reviews, news & interviews
The Headless Woman
The Headless Woman
Hitchcock channelled in a briliant and baffling psychothriller from Argentina
Saturday, 20 February 2010
A brittle precision: María Onetto as the headless woman
A merciless anatomy of the inner meltdown that follows a hit-and-run accident, The Headless Woman is as baffling, brilliant, demanding and utterly original a work as you're likely to see all year. Its themes are confusion, amnesia, disavowal. The director, Lucrecia Martel, by contrast is in vice-like control of her material. This film might be a real head-scratcher. But no-one seeing it can come out unconvinced that Martel is a world-class talent.
A merciless anatomy of the inner meltdown that follows a hit-and-run accident, The Headless Woman is as baffling, brilliant, demanding and utterly original a work as you're likely to see all year. Its themes are confusion, amnesia, disavowal. The director, Lucrecia Martel, by contrast is in vice-like control of her material. This film might be a real head-scratcher. But no-one seeing it can come out unconvinced that Martel is a world-class talent.
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