Theatre Reviews
The High Table, Bush Theatre review - party on in Lagos and LondonSaturday, 15 February 2020
Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. Read more... |
Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessibleFriday, 14 February 2020
It’s not uncommon for playwrights to begin their careers by writing what they know, to co-opt a frequently quoted precept about authorial inspiration. Read more... |
Far Away, Donmar Warehouse review - one for the devoteesThursday, 13 February 2020
Caryl Churchill, Britain's best living playwright, is enjoying a spate of high-profile revivals of her classic work. Last year, the National Theatre staged her Top Girls, and an upcoming production of A Number is coming soon to the Bridge Theatre. Read more... |
Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precisionWednesday, 12 February 2020
Ibsen's Nora slammed the door on her infantilising marriage in 1879 but the sound of it has continued to reverberate down the years. Read more... |
Collapsible, Bush Theatre review - a high-wire solo engagementTuesday, 11 February 2020
There’s such remarkable symbiosis between material and performance in Irish dramatist Margaret Perry’s Collapsible that you wonder how the hour-long monologue will fare in any future incarnation. Read more... |
On McQuillan's Hill, Finborough Theatre review - timely glance at Northern Irish myths and tensionsMonday, 10 February 2020
The news that the Continuity IRA created a bomb destined for England on Brexit Day has added to the timeliness of this revival of Joseph Crilly’s gut-punching comedy. Read more... |
The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless messSaturday, 08 February 2020
Say what you will about The Taming of the Shrew (and you’ll be in good company), but it is one of Shakespeare’s clearest plays. Read more... |
Death of England, National Theatre review - furious but fabulousFriday, 07 February 2020
Is this an angry island? Although the British national character (if there is such a thing) has traditionally been one of reserve, repression and restraint, more recently it has become increasing passionate and full of anger. More a clenched fist shaken in loud defiance, than a teacup raised in mild annoyance. Brexit hasn't helped. It really hasn't. Read more... |
The Haystack, Hampstead Theatre review - a chilling surveillance state thrillerFriday, 07 February 2020
With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state. Read more... |
Albion, Almeida Theatre review - more rewarding and resonant than everThursday, 06 February 2020
It's not been three years since Albion premiered at the Almeida Theatre, since which time Brexit has happened and, not without coincidence, Mike Bartlett's time-specific play is beginning to look like one for the ages. Set amongst a community in physical and psychic limbo, Bartlett takes the pulse of a people, and a nation, at odds with themselves. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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