Theatre Reviews
A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial IndiaThursday, 12 September 2019
Newly arrived from a much-lauded stint at the Sherman Theatre, Cardiff, Rachel O'Riordan has undertaken to make "work of scale by women" during her time as artistic director of the Lyric. What better place to start than with Ibsen's once-shocking heroine, her story reimagined by prolific playwright Tanika Gupta? Read more... |
Torch Song, Turbine Theatre review - impressive return for Harvey Fierstein's seminal gay dramaMonday, 09 September 2019
London’s latest theatre opening brings a stirring revival of Harvey Fierstein’s vital gay drama, which premiered as Torch Song Trilogy in New York at the beginning of the 1980s, the playwright himself unforgettable in the lead... Read more... |
Chiaroscuro, Bush Theatre review - music, sweet, sweet musicSaturday, 07 September 2019
Identity politics has been around for decades. Read more... |
Anahera, Finborough Theatre review - blistering family drama from New ZealandSaturday, 07 September 2019
With power comes responsibility. One without the other is sickening -- and both iterations are on show in Emma Kinane's searing new play about a child runaway in New Zealand. Read more... |
A Very Expensive Poison, Old Vic review – bold evocation of a post-truth worldFriday, 06 September 2019
If Russia is, as Winston Churchill once so memorably said, “a riddle, wrapped inside a mystery, wrapped inside an enigma”, then this play is an outrage, wrapped inside a farce, framed by a bittersweet love story. Read more... |
Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experienceFriday, 06 September 2019
Playwright and performer Tim Crouch is one of Britain's most innovative creatives, with a big back catalogue of challenging and stimulating stage work. Typically he tells stories about profound loss, while simultaneously questioning the basis of theatrical representation: how is what we see on stage true? In what way is it real? And how can you tell? Read more... |
Falsettos, The Other Palace review - affecting search for the new normalFriday, 06 September 2019
William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s ... Read more... |
Hansard, National Theatre review - starry argument ends poorlyWednesday, 04 September 2019
In the current feverish atmosphere at Westminster, with arguments about Brexit becoming increasingly shrill, the time is right once more for political theatre: serious plays about serious issues. Oddly enough, however, while television has effectively dramatized the current crisis, in films such as Channel 4's Brexit: The Uncivil War, theatre seems to take a more oblique approach by setting its stories in the past. Read more... |
The Son, Duke of York's Theatre review - a piercing drama of depressionTuesday, 03 September 2019
A tale of teenage depression and its family resonances, Florian Zeller’s The Son has a devastating simplicity. Read more... |
Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century lifeFriday, 30 August 2019
It was a bold choice by director Blanche McIntyre to stage Ben Jonson's seldom performed, sprawling slice-of-life play in the bijou Sam Wanamaker Playhouse rather than Shakespeare's Globe's main stage – even if she has pared down both the script and what seems like a cast of thousands for her modern-dress production. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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