wed 08/10/2025

Theatre Reviews

Hamlet, National Theatre review - turning tragedy to comedy is no joke

Demetrios Matheou

The National’s latest production of Hamlet opens with a bang: a sureness of style, atmosphere and refreshing comedic effect, accompanied by a performer, Hiran Abeyeskera (The Father and the AssassinLife of Pi), whose presence promises a night of sparky originality. 

Read more...

Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts

Rachel Halliburton

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually challenging as they are visually exhilarating. Last week, audiences were asked to understand the forces of globalisation that shaped a royal wedding dress in the Théâtre National de Strasbourg’s multimedia tour de force, Lacrima.

Read more...

Lee, Park Theatre review - Lee Krasner looks back on her life as an artist

Gary Naylor

Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys Club" of 20th century Modern Art. Like Miller, she was known more for her working and romantic partnership with a major artist – for Man Ray, read Jackson Pollock.

Read more...

Measure for Measure, RSC, Stratford review - 'problem play' has no problem with relevance

Gary Naylor

An opening video montage presents us with a rogues' gallery of powerful men who have done bad things. Plenty of the usual suspects appear to stomach-churning effect, but no ex-President Nicolas Sarkozy, sentenced last week to five years in prison by the usually tolerant French. So the problem certainly hasn’t gone away with the Clintons, Weinsteins and they’re ilk.

Read more...

The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest

aleks Sierz

Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the upside is clearly visible all over the West End.

Read more...

Get Down Tonight, Charing Cross Theatre review - glitz and hits from the 70s

Gary Naylor

In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of KC and the Sunshine Band’s bangers. They’ve filled dancefloors for half a century and Harry Wayne Casey (KC to you and me) has a claim to having written the first ever disco hit with George McCrae’s “Rock Your Baby” – Benny and Bjorn’s inspiration for “Dancing Queen” no less!

Read more...

Punch, Apollo Theatre review - powerful play about the strength of redemption

Rachel Halliburton

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the perspective of a young man high on hormones and cocaine. He’s 19 years old and in perpetual motion as he zips in and out of the pubs of Nottingham in search of the next girl, the next dance beat, the next drugs hit.

Read more...

The Billionaire Inside Your Head, Hampstead Theatre review - a map of a man with OCD

Helen Hawkins

What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut play, Will Lord, who has been diagnosed with OCD himself, has attempted to spell this out, with mixed results.

Read more...

Lacrima, Barbican review - riveting, lucid examination of the forces of globalisation through a dress

Rachel Halliburton

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every fashion choice she makes will be scrutinised for the rest of her life, it is, nonetheless, she herself who will be mercilessly interrogated as the representative both of a nation’s ideals and its discontents.

Read more...

Entertaining Mr Sloane, Young Vic review - funny, flawed but welcome nonetheless

aleks Sierz

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw (1969) – was provocative, taboo-tickling and often wildly hilarious.

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

'We are bowled over!' Thank you for your messages... ...
R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio Da Kali, Milton Court review - Mali masters make the an...

Trio Da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs...

Hollie Cook's 'Shy Girl' isn't heavyweig...

Hollie Cook was in the final line-up of post-punk groundbreakers The...

theartsdesk Q&A: musician Warren Ellis recalls how jungl...

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects...

theartsdesk Q&A: Idris Elba on playing a US President fa...

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's...

Echo Vocal Ensemble, Latto, Union Chapel review - eclectic c...

Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’...

Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...