Theatre Reviews
The Frogs, Southwark Playhouse review - great songs save updated Aristophanes comedyWednesday, 28 May 2025
As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a musical. Cannibalistic murders in Victorian London? Faking a miracle in smalltown USA? The westernisation of Japan? And that’s just Sondheim… Read more... |
Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the familySaturday, 24 May 2025
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893 play in under the two-hour mark, no interval. And you can introduce a non-speaking ensemble of women in period bloomers and the like as a silent commentary on the depredations indicated in the text. Read more... |
The Crucible, Shakespeare's Globe review - stirring account of paranoia and prejudiceThursday, 22 May 2025
A society ruled by hysteria. Lurid lies that carry more currency than reality. There’s no shortage of reasons that Arthur Miller’s 1953 drama about witchcraft and revenge resonates so strongly today. Read more... |
The Fifth Step, Soho Place review - wickedly funny two-hander about defeating alcoholismTuesday, 20 May 2025
The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter. The Fifth Step, though, is a gentler beast whose humour ends with a simple visual gag. Maybe because this is more personally sensitive territory? Read more... |
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin Greig honours Terence RattiganSaturday, 17 May 2025
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as an English classic. Lindsay Posner's production, first seen in Bath with one major change of cast since then, takes its time, and leading lady Tamsin Greig often speaks in a stage whisper requiring you to lean into the words. (This is that rare production that, praise be, is unamplified.) Read more... |
The Brightening Air, Old Vic review - Chekhov jostles Conor McPherson in writer-director's latestSaturday, 17 May 2025
It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest musical is to Sartre. But Conor McPherson's The Brightening Air – the title itself is derived from Yeats – comes so fully steeped in Chekhov that you may wonder whether this portrait of rural Ireland in 1980s County Sligo hasn't bled into provincial Russia from nearly a century before, or vice-versa. Read more... |
The Comedy About Spies, Noel Coward Theatre review - 'Goes Wrong' team hit the spot againThursday, 15 May 2025
From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever with Mischief productions, their latest work is a lot of fun and pays its dues to the great age of British farce (and pantomime too) with clever wordplay and physical comedy as things go increasingly awry. Read more... |
House of Games, Hampstead Theatre review - adapted Mamet screenplay entertains but is defangedWednesday, 14 May 2025
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the direction. But the flaw it can’t overcome is that the 1987 David Mamet screenplay on which Richard Bean based this stage version in 2010 has been transformed from a vicious psychologically tough caper-movie into an almost jaunty puzzle-play, its sharp teeth removed. Read more... |
Here We Are, National Theatre review - Sondheim's sensational swan songFriday, 09 May 2025
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are. The last musical from the venerated Stephen Sondheim has only grown in import and meaning since I caught its New York premiere some 18 months ago. Read more... |
Giant, Harold Pinter Theatre review - incendiary Roald Dahl drama with topical biteFriday, 09 May 2025
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here, another terrible moment in human history that resonates all through Giant. Since the play opened at the Royal Court last year, that ugly hum has grown even louder. Now transferred to the West End, it could have been written to give dramatic form to this most incendiary of talking points. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
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