sun 14/09/2025

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

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Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

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Hamilton, Disney+ review - puts us all in the room where it happened

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

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Cats, The Shows Must Go On review - a purr-fectly theatrical experience

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The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

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I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

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Sondheim at 90 Songs: 1 - 'I'm Still Here'

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Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...