sat 05/10/2024

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

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Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

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Hamilton, Disney+ review - puts us all in the room where it happened

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

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Cats, The Shows Must Go On review - a purr-fectly theatrical experience

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The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

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I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

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Sondheim at 90 Songs: 1 - 'I'm Still Here'

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latest in today

Lear, Barbican Theatre review - a very stormy saga, Korean-s...

What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...

Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....

Album: Goat - Goat

With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...

Monet and London, Courtauld Gallery review - utterly sublime...

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...

Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...

A Tupperware of Ashes, National Theatre review - family and...

Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...

First Person: conductor Robert Hollingworth on a four-choir...

I’m sitting in a café in Kraców, Poland, rehearsals finished for the resurrection of a mass setting written nearly 400 years ago in...

The Battle for Lakipia review - why post-colonial Kenya is a...

The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is...

Album: Coldplay - Moon Music

From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack...

The Old Man and the Land review - dark secrets of a farming...

The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does...