fri 26/04/2024

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Company, Gielgud Theatre review - here's to a sensational musical rebirth

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Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angst

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The Humans, Hampstead Theatre review - a riveting family portrait

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Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

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The King and I, London Palladium review - classic musical reborn with modern sensibilities

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Fun Home, Young Vic review - a simply sublime musical memoir

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Red, Wyndham's Theatre - Mark Rothko drama paints a vivid picture

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Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as ever

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Tina, Aldwych Theatre review - new Tina Turner bio-musical is simply OK

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Summer and Smoke, Almeida Theatre - exquisite renaissance of Tennessee Williams's neglected play

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Girl from the North Country, Noël Coward Theatre review - Bob Dylan fuels a dreamlike drama

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Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful

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Venus in Fur, Theatre Royal Haymarket review - pain and pleasure in a starry two-hander

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The Lie, Menier Chocolate Factory review - fake news, real feeling

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Committee review - we're all on trial in new Kids Company musical

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Our Ladies of Perpetual Succour review - West End transfer hits all the right notes

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latest in today

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the...

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the...

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...