alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
The Rolling Stones, BST Hyde Park review - let it rock!
A few spots of rain greeted the arrival of the...
Mad House, Ambassadors Theatre review - David Harbour is mag...
For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a...
Eric Ravilious: Drawn to War review - a lovingly crafted doc...
There’s a sharp observation, delivered in Alan Bennet’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his...
Music Reissues Weekly: Whatever You Want - Bob Crewe's...
In 1965, Bob Crewe was living alongside Central Park in...
George Fu, St Martin-in-the-Fields review - high intellect a...
Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at...
Mieko Kawakami: All the Lovers in the Night review - the raw...
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction...
Album: James Vincent McMorrow - The Less I Knew
An artist with a myriad of strings to his bow – gifted wordsmith, multi-instrumentalist, captivating...
Elvis review - Austin Butler shines in patchy biopic
Strictly Ballroom aside, I’ve never been entirely persuaded by...
