alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Personal Values, Hampstead Theatre review - deep grief that...
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...
April review - powerfully acted portrait of a conflicted doc...
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output...
theartsdesk Q&A: filmmaker Miguel Gomes on his latest ex...
It doesn't take much to get lost in a film by Miguel Gomes. In fact, it's required. Multiple layers, timelines, and perspectives unfold in his...
Album: Billy Idol - Dream Into It
There’s always been a goofy charm about Billy Idol. As an implausibly chiselled Adonis shining out from the deliberate ugliness of the original...
Greg Davies, Brighton Dome review - chocolate bars and erran...
Greg Davies doesn’t spare himself in his new show, Full Fat Legend, his first tour in seven years after having been busy being...
Bach St John Passion, Academy of Ancient Music, Cummings, Ba...
In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their Easter performances of...
Album: Viagra Boys - Viagr Aboys
Sweden’s most gloriously unhinged export is back, and Viagr Aboys might just be Viagra Boys at their most fun, feral and fully realised....
Music Reissues Weekly: 1001 Est Crémazie
It would have been hard to pick up a copy of the album credited to and titled 1001 Est Crémazie in...
MacMillan St John Passion, Boylan, National Symphony Orchest...
Never make your mind up too soon about any large-scale work by a genius. Back in 2010, I had my doubts about James MacMillan’s first Passion,...