alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...
Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...
Blu-ray: Eclipse
What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...
The Ballad of Wallis Island review - the healing power of th...
I think The Ballad of Wallis Island is the best...
Music Reissues Weekly: Pete Shelley - Homosapien, XL-1
Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...
The Salt Path review - the transformative power of nature
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...
Elephant, Menier Chocolate Factory review - subtle, humorous...
This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...
