sun 06/04/2025

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Prom 51 review: Perianes, BBCSO, Oramo - brightly coloured musical postcards

Read more...

King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subdued

Read more...

Prom 33 review: Davidsen, Gerhardt, BBC Philharmonic, Storgårds - Nordic music glowing with colour

Read more...

Prom 14 review: BBCSSO, Wilson - illusion after illusion from musical conjurer

Read more...

Much Ado About Nothing, Shakespeare's Globe review - swaggering Shakespeare with a comic Spanish accent

Read more...

Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthrals

Read more...

Queen Anne, Theatre Royal Haymarket review - slow, long and dull

Read more...

Hamlet, Harold Pinter Theatre review - dislocatingly fresh makeover

Read more...

A Midsummer Night's Dream, Snape Maltings

Read more...

Radamisto, Guildhall School, Milton Court

Read more...

Twelfth Night, Shakespeare's Globe review - Emma Rice goes out with a bang

Read more...

Ariodante, The English Concert, Bicket, Barbican

Read more...

Monteverdi Vespers, Vox Luminis, FBC, St John's Smith Square

Read more...

Lise Davidsen, James Baillieu, Wigmore Hall

Read more...

in vain, London Sinfonietta, Lubman, Royal Festival Hall

Read more...

Ormisda, St George's Hanover Square

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Ibex Band - Stereo Instrumental Music

Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...

Levit, Sternath, Wigmore Hall review - pushing the boundarie...

Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in...

Rhinoceros, Almeida Theatre review - joyously absurd and abs...

Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by...

Mr Burton review - modest film about the birth of an extraor...

Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he...

Album: The Waterboys - Life, Death and Dennis Hopper

Mike Scott is The Waterboys. Launched by wide-eyed 1980s folk-...

Restless review - curse of the noisy neighbours

Horror comes in many forms. In writer-director Jed Hart’s...

MobLand, Paramount+ review - more guns, goons and gangsters...

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...

Ed Atkins, Tate Britain review - hiding behind computer gene...

The best way to experience Ed Atkins’ exhibition at...