alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
The Book of Clarence review - larky jaunt through biblical e...
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...
Lisa Kaltenegger: Alien Earths review - a whole new world
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...
All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...
An Actor Convalescing in Devon, Hampstead Theatre review - o...
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...
First Persons: composers Colin Alexander and Héloïse Werner...
For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...
Album: Paraorchestra with Brett Anderson and Charles Hazlewo...
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...
Anthracite, Netflix review - murderous mysteries in the Fren...
Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...
The Comeuppance, Almeida Theatre review - remembering high-s...
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...