sun 14/08/2022

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

latest in today

Music Reissues Weekly: The Telstar Story, The Heinz Sessions...

“Telstar” was released 60 years ago this week. On 17 August 1962...

Counting and Cracking, Edinburgh International Festival 2022...

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even...

Prom 35, Wang, Oslo Philharmonic, Mäkelä review - crystallin...

Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / S...
Sara Barron, Pleasance Courtyard ★...
Album: Cass McCombs - Heartmind

Cass McCombs has something of the detailed, opaque depth of his late peer Jason Molina, with more taste for pop shapes under a broader musical...

Prom 34, Soltani, BBC Philharmonic, Ollikainen review - jour...

Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places...

Shetland, Series 7, BBC One review - Douglas Henshall is bac...

The last couple of series of Shetland (BBC One) brought the...

Eiffel review - sensuous secret history

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a...

Edinburgh Fringe 2022 reviews: Temping / Work.txt

Temping, Assembly George Square Studios ★...