tue 07/10/2025

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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'We are bowled over!' Thank you for your messages... ...
Echo Vocal Ensemble, Latto, Union Chapel review - eclectic c...

Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’...

Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...

Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review...

One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That...

Pop Will Eat Itself's 'Delete Everything' is...

Pop Will Eat Itself deserve to be more celebrated. The ...

Music Reissues Weekly: The Earlies - These Were The Earlies

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-...

France, LPO, Gardner, RFH review - the sound of other worlds

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...

Christopher Wheeldon has mined a new seam of narrative pieces for the...