alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Flight Risk review - the sky's the limit for Michelle D...
Director Mel Gibson probably made Flight...
Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...
An Interrogation, Hampstead Theatre review - police procedur...
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...
Album: ALT BLK ERA - Rave Immortal
The utopian messiness of 1990s dance music culture is now so far...
The Lonely Londoners, Kiln Theatre review - Windrush Generat...
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...
Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...
There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...
Album: Ludovico Einaudi - The Summer Portraits
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...
Prime Target, Apple TV+ review - the appliance of science
An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...
Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...
Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...